proper work, are far removed from truth, and the companions and friends
and associates of a principle within us which is equally removed from
reason, and that they have no true or healthy aim.
Exactly.
The imitative art is an inferior who marries an inferior, and has
inferior offspring.
Very true.
And is this confined to the sight only, or does it extend to the hearing
also, relating in fact to what we term poetry?
Probably the same would be true of poetry.
Do not rely, I said, on a probability derived from the analogy of
painting; but let us examine further and see whether the faculty with
which poetical imitation is concerned is good or bad.
By all means.
We may state the question thus:--Imitation imitates the actions of men,
whether voluntary or involuntary, on which, as they imagine, a good or
bad result has ensued, and they rejoice or sorrow accordingly. Is there
anything more?
No, there is nothing else.
But in all this variety of circumstances is the man at unity with
himself--or rather, as in the instance of sight there was confusion and
opposition in his opinions about the same things, so here also is there
not strife and inconsistency in his life? Though I need hardly raise the
question again, for I remember that all this has been already admitted;
and the soul has been acknowledged by us to be full of these and ten
thousand similar oppositions occurring at the same moment?
And we were right, he said.
Yes, I said, thus far we were right; but there was an omission which
must now be supplied.
What was the omission?
Were we not saying that a good man, who has the misfortune to lose his
son or anything else which is most dear to him, will bear the loss with
more equanimity than another?
Yes.
But will he have no sorrow, or shall we say that although he cannot help
sorrowing, he will moderate his sorrow?
The latter, he said, is the truer statement.
Tell me: will he be more likely to struggle and hold out against his
sorrow when he is seen by his equals, or when he is alone?
It will make a great difference whether he is seen or not.
When he is by himself he will not mind saying or doing many things which
he would be ashamed of any one hearing or seeing him do?
True.
There is a principle of law and reason in him which bids him resist, as
well as a feeling of his misfortune which is forcing him to indulge his
sorrow?
True.
But when a man is drawn in two opposit
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