FREE BOOKS

Author's List




PREV.   NEXT  
|<   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103  
104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   >>   >|  
on to the strings and makes them fly asunder; that, while Kreisler spoke, our music can only play its fancies and whimsies; and that, instead of hearing intelligible spoken words, we hear only musical sounds which are gibberish and chaos. For the time when men sought in music only for music's own loveliness is gone by; and the time has come when all the arts trespass on each other's ground, and, worst of all, when the arts which can give and show envy poetry, the art which can neither give nor show but only suggest, and when, for the sake of such suggestion, they would cheat us of all the real gifts--gifts of noble forms of line and colour, and sweet woofs of melody and harmony which they once gave us. The composer now wishes to make you see and feel all that he sees and feels in his imagination, the woods and seas, the joys and sorrows, all the confused day-dreams, sweet and drowsy, all the nightmare orgies which may pass through his brain; the sound has become the mere vehicle for this, the weak, vague language which he can only stammer and we can only divine; the artist breaks violently against the restraint of form, thinking to attain the unattainable beyond its limits, and sinks down baffled and impotent amidst ruin. We are apt to think of music as of a sort of speech until, on examination, we find it has no defined meaning either for the speaker or for the listener. In reality, music and speech are as different and as separate as architecture and painting, as wholly opposed to each other as only those two things can be which, having started from the same point, have travelled in completely opposite directions, like the two great rivers which, originating on the same alp, flow respectively to the north, and to the south, each acquiring a separate character on its way--the one as the blue river of Germany, ending amidst the tide-torn sandbanks of the North Sea; the other as the green river of Provence, dying amidst the stagnant pools and fever-haunted marshes of the Mediterranean. As long as the Rhine and the Rhone are not yet Rhine and Rhone, but merely pools of snow-water among the glaciers, so long are they indistinguishable; but as soon as separated into distinct streams, their dissimilarity grows with every mile of their diverging course. So as to speech and music: as long as both exist only in embryo in the confused cries and rude imitations of the child or of the primitive people, they cannot be distingu
PREV.   NEXT  
|<   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103  
104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   >>   >|  



Top keywords:
amidst
 

speech

 

separate

 
confused
 
embryo
 
opposed
 

started

 

things

 

completely

 

rivers


originating
 
wholly
 

opposite

 

directions

 

travelled

 

architecture

 

examination

 

primitive

 

distingu

 

people


defined
 

meaning

 

reality

 
imitations
 

listener

 
speaker
 
painting
 

Mediterranean

 

dissimilarity

 

streams


marshes

 

haunted

 
distinct
 
indistinguishable
 

glaciers

 
separated
 

stagnant

 

Germany

 

character

 

acquiring


ending

 

Provence

 
diverging
 

sandbanks

 
artist
 
poetry
 

ground

 

trespass

 
suggest
 

colour