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hat they could sit there in the merciless glare of an unshaded kerosene lamp and defy one with their flawless and amiable personalities. And while I sat there and talked to them and ate their bizarre and appetizing provender, I became aware of something even more astonishing than their failure to use the immeasurable advantages of existence in a Brooklyn apartment, where the breath of life, warmed beyond endurance, came up out of mysterious grids in the walls and dried all the vitality out of them. It wasn't only that, it transpired. These women, with their quality of hard, practical devotion to a concrete bodily well-being, conveyed something beyond all that. For when I suggested that Artemisia's way of life must place her beyond their sympathies, they registered emphatic dissent. For why? They were unable to understand. They looked at each other. "'That's American,' said Mrs. Sarafov, distinctly. "'Not entirely,' I protested. 'It has a certain vogue in England also, I assure you. And personally,' I added, 'I am bound to say it makes a difference. I regret it.' "'But,' said Mrs. Sarafov, and she turned her eyes upon her younger daughter, who was going out with some dishes, 'But she must have a man to look after her.' She regarded me attentively. 'I suppose you know that she is very fond of you. She is always talking about how kind you were to her on the ship. And in London. She says you liked her at first. And I can't see,' she went on, 'why, if you regret it, as you say, you didn't look after her yourself. She would have gone.' "'And you think that would have made any difference?' I demanded. I was very much disturbed at this sudden turn of things. I seemed to be getting away from my cherished position as a super in the play. And it was the emotion educed from this conversation that revealed to me how these women had abandoned their life in America without regret. I had a vision of it suddenly as I looked at the other daughter's face. She was regarding me with a sort of raptness. The exquisite features glowed and the bright, bronze-coloured eyes burned above purple shadows like lamps above dark pools. Yes, I had a vision of it suddenly, and it was what we call, lightly, cynically, disapprovingly, Romance. It was simply this--that to them, what we deem a dangerous and useless appendage of our spiritual life is a tremendous and vital need. So tremendous and so vital that the external moral aspect of it was a matt
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