udied than in Mr. Raemaekers' cartoon, and the use he
makes of the very ancient symbol of the wheel. Europe is represented as
dragged and broken upon the wheel as in the old torture; but the wheel
is that of a modern cannon, so that the dim background can be filled in
with the suggestion of a wholly modern machinery. This is a very true
satire; for there are many scientific persons who seem to be quite
reconciled to the crushing of humanity by a vague mechanical environment
in which there are wheels within wheels. But the inner restraint of the
artist is suggested in the treatment of the torment itself; which is
suggested by a certain rending drag in the garments, while the limbs are
limp and the head almost somnolent. She does not strive nor cry; neither
is her voice heard in the streets. The artist had not to draw pain but
to draw despair; and while the pain is old enough the particular despair
is modern. The victim racked for a creed could at least cry "I am
converted." But here even the terms of surrender are unknowable; and she
can only ask "Am I civilized?"

G. K. CHESTERTON.

[Illustration: EUROPE, 1916

"Am I not yet sufficiently civilized?"]

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THE NEXT TO BE KICKED OUT--DUMBA'S MASTER

Uncle Sam is no longer the simple New England farmer of a century ago.
He is rich beyond calculation. His family is more numerous than that of
any European country save Russia. His interests are world-wide, his
trade tremendous, his industry complex, his finance fabulous. Above all,
his family is no longer of one race. The hatreds of Europe are not
echoed in his house; they are shared and reverberate through his
corridors. It is difficult, then, for him to take the simple views of
right and wrong, of justice and humanity, that he took a century ago. He
is tempted to balance a hundred sophistries against the principles of
freedom and good faith that yet burn strongly within him. He is driven
to temporize with the evil thing he hates, because he fears, if he does
not, that his household will be split, and thus the greater evil befall
him. But those that personify the evil may goad him once too often.
Dumba the lesser criminal--as also the less dexterous--has betrayed
himself and is expelled. When will Bernstorff's turn come? That it will
come, indeed _must_ come, is self-evident. The artist sees things