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th me by the hand, "Here is Paris thread, the finest in the land"; I never was used to such things indeed; And, wanting money, I might not speed. Then went I forth by London stone, Throughout all the Canwick Street; Drapers much cloth me offered anon; Then comes me one cried, "Hot sheep's feet!" One cried, "Mackarel!" "Rushes green!" another 'gan greet;[107] One bade me buy a hood to cover my head; But for want of money I might not be sped. Then I hied me into East Cheap: One cries "Ribs of beef and many a pie!" Pewter pots they clattered on a heap; There was harpe, pipe, and minstrelsy: "Yea, by cock!" "Nay, by cock!" some began cry; Some sung of "Jenkin and Julian" for their meed; But, for lack of money, I might not speed. Then into Cornhill anon I yode Where there was much stolen gear among; I saw where hung my owne hood, That I had lost among the throng: To buy my own hood I thought it wrong; I knew it as well as I did my creed; But, for lack of money, I could not speed. The Taverner took me by the sleeve; "Sir," saith he, "will you our wine assay?" I answered, "That cannot much me grieve; A penny can do no more than it may." I drank a pint, and for it did pay; Yet, sore a-hungered from thence I yede; And, wanting money, I could not speed. Then hied I me to Billings-gate, And one cried, "Ho! go we hence!" I prayed a bargeman, for God's sake, That he would spare me my expense. "Thou 'scap'st not here," quoth he, "under twopence; I list not yet bestow any almsdeed." Thus, lacking money, I could not speed. Then I conveyed me into Kent; For of the law would I meddle no more. Because no man to me took intent, I dight[108] me to do as I did before. Now Jesus that in Bethlehem was bore[109], Save London and send true lawyers their meed! For whoso wants money with them shall not speed. [Footnote 97: go to law.] [Footnote 98: crowd.] [Footnote 99: went then.] [Footnote 100: reward.] [Footnote 101: striped stuff.] [Footnote 102: exchange.] [Footnote 103: notice.] [Footnote 104: on the bough.] [Footnote 105: offer.] [Footnote 106: approach.] [Footnote 107: call.] [Footnote 108: set.] [Footnote 109: born.] WILLIAM DUNBAR. (1460-1520?) V. THE DANCE OF THE SEVEN DEADLY SINS. One of Dunbar's most telling satires, as well as one of the most powerful in th
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