QUALIGO of Venice as an improver of these amatory
epistles, by introducing a deeper interest and a more complicate
narrative. Partial to the Italian literature, Denina considers this author
as having given birth to those _novels_ in the form of _letters_, with
which modern Europe has been inundated; and he refers the curious in
literary researches, for the precursors of these _epistolary novels_, to
the works of those Italian wits who flourished in the sixteenth century.
"The Worlds" of DONI, and the numerous whimsical works of ORTENSIO LANDI,
and the "Circe" of GELLI, of which we have more than one English
translation, which, under their fantastic inventions, cover the most
profound philosophical views, have been considered the precursors of the
finer genius of "The Persian Letters," that fertile mother of a numerous
progeny, of D'Argens and others.
The Italians are justly proud of some valuable collections of letters,
which seem peculiar to themselves, and which may be considered as the
works of _artists_. They have a collection of "Lettere di Tredici Uomini
Illustri," which appeared in 1571; another more curious, relating to
princes--"Lettere de' Principi le quali o si scrivono da Principi a
Principi, o ragionano di Principi;" Tenezia, 1581, in 3 vols. quarto.
But a treasure of this kind, peculiarly interesting to the artist, has
appeared in mere recent times, in seven quarto volumes, consisting of the
original letters of the great painters, from the golden age of Leo X.,
gradually collected by BOTTARI, who published them in separate volumes.
They abound in the most interesting facts relative to the arts, and
display the characteristic traits of their lively writers. Every artist
will turn over with delight and curiosity these genuine effusions;
chronicles of the days and the nights of their vivacious brothers.
It is a little remarkable that he who claims to be the first satirist in
the English language, claims also, more justly perhaps, the honour of
being the first author who published familiar letters. In the dedication
of his Epistles to Prince Henry, the son of James the First, Bishop HALL
claims the honour of introducing "this new fashion of discourse by
epistles, new to our language, usual to others; and as novelty is never
without plea of use, more free, more familiar." Of these epistles, in six
decades, many were written during his travels. We have a collection of
Donne's letters abounding with his pec
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