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orner of a wood, where the hooligan waits in ambush, or on the rubbish heap of the Soltau camp in which men--noble men--are made to seek their food like pigs. Germany cannot offer what is not hers to offer. The Allies cannot take what they have already. For there is only one peace, "the peace that passeth all understanding." As for the German olive branch, how could we accept it? It is no longer green. There is a drop of blood on every leaf. * * * * * It is perfectly useless to try, as has been done in certain quarters, to distinguish between Belgium's attitude in the conflict and that of the Powers who are fighting for the restoration of her integrity. From the day when England, France and Russia answered King Albert's appeal, the unflinching policy of Belgium has been to act in perfect harmony with the Allies. How could it be otherwise? Their cause is her cause. Their victory will be her victory, and--if we should ever consider the possibility of defeat--their defeat would be her defeat. The Belgians who like myself, were in England during these fateful days of August, 1914, when the destiny of Europe hung in the balance, know perfectly well the decisive influence which the invasion of Belgium had on English public opinion at that time. Nothing can ever blur the clear outlines of the events as they passed before us under the implacable rays of that glorious summer sun. The whole policy of Germany is determined by her first stroke in the war. That stroke was delivered against a small nation. The whole policy of England and of the Allies is determined by their first efforts in the struggle, and these efforts were made to protect a small nation against Germany's aggression. Never has the choice between right and wrong been made plainer in the whole history of the world. ***END OF THE PROJECT GUTENBERG EBOOK THROUGH THE IRON BARS*** ******* This file should be named 12644.txt or 12644.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/6/4/12644 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in th
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