om
the eye of man for several centuries.
The school-house is still standing in Huntingdon, in good condition
and busy occupation, in which Oliver Cromwell stormed the English
alphabet and carried the first parallel of monosyllables at the
point of the pen. The very form or bench of oak from which he
mounted the breach is still occupied by boys of the same size and
age, with the same number of inches between their feet and the floor
which separated it from his. Had the photographic art been
discovered in his day, we might have had his face and form as he
looked when seated as a rosy-faced, light-haired boy in the rank and
file of the youngsters gathered within those walls. What an
overwhelming revelation it would have been to his young, honest and
merry mind, if some seer, like him who told Hazael his future, could
have given him a sudden glimpse of what he was to be and do in his
middle manhood!
After tea, I continued my walk westward to a small, quiet,
comfortable village, about five miles from Huntingdon, where I
became the guest of "The Old Mermaid," who extended her amphibious
hospitalities to all strangers wishing bed and board for the night.
Both I received readily and greatly enjoyed under her roof,
especially the former. Never did I occupy a bed so fringed with the
fanciful artistries of dreamland. It was close up under the
thatched roof, and it was the most easy and natural thing in the
world for the fancies of the midnight hour to turn that thatching
into hair, and to cheat my willing mind with the delusion that I was
sleeping with the long, soft tresses of Her Submarine Ladyship wound
around my head. It was a delightful vagary of the imagination,
which the morning light, looking in through the little checker-work
window, gently dispelled.
The next day I bent my course in a north-westerly direction, and
passed through a very fertile and beautiful section. The scenery
was truly delightful;--not grand nor splendid, but replete with
quiet pictures that please the eye and touch the heart with a sense
of gladness. The soft mosaic work of the gently rounded hills, or
figures wrought in wheat, barley, oats, beans, turnips, and meadow
and pasture land, and grouped into landscapes in endless alternation
of lights and shades, and all this happy little world now veiled by
the low, summer clouds, now flooded by a sunburst between them--all
these lovely and changing sceneries made my walk like one through a
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