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ppiest birds are drowned altogether by the clatter of a hundred wheels on the metal track. If there are any poor, flat, or fen lands, your way is sure to lie through them. In a picturesque and undulating country, studded with parks and mansions of wealth and taste, you are plunging through a long, dark tunnel, or walled into a deep cut, before your eye can catch the view that dashes by your carriage window. If you have a utilitarian proclivity and purpose, and would like to see the great agricultural industries of the country, they present themselves to you in as confused aspects as the sceneries of the passing landscape. The face of every farm is turned from you. The farmer's house fronts on the turnpike road, and the best views of his homestead, of his industry, prosperity, and happiness, look that way. You only get a furtive glance, a kind of clandestine and diagonal peep at him and his doings; and having thus travelled a hundred miles through a fertile country you can form no approximate or satisfactory idea of its character and productions. But no facts nor arguments are needed to convince an intelligent traveller that the railway affords no point of view for seeing town or country to any satisfactory perception of its character. Indeed, neither coach of the olden, nor cab of the modern vogue, nor saddle, will enable one to "do" either town or country with thorough insight and enjoyment. It takes him too long to pull up to catch the features of a sudden view. He can do nothing with those generous and delightful institutions of Old England,--the footpaths, that thread pasture, park, and field, seemingly permeating her whole green world with dusky veins for the circulation of human life. To lose all the picturesque lanes and landscapes which these field- paths cross and command, is to lose the great distinctive charm of the country. Then, neither from the coach-box nor the saddle can he make much conversation on the way. He loses the chance of a thousand little talks and pleasant incidents. He cannot say "Good morning" to the farmer at the stile, nor a word of greeting to the reapers over the hedge, nor see where they live, and the kind of children that play by their cottage doors; nor the little, antique churches, bearded to their eye-brows with ivy, covering the wrinkles of half a dozen centuries, nor the low and quiet villages clustering around, each like a family of bushy-headed children surroundin
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