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, who "looked upon her as a beneficent divinity." Her conduct under these circumstances alone is sufficient to keep alive her memory. In the last days, she clung to and upheld most passionately her principles of liberty and moderation, and in her conversation with Beugnot it was evident that she had been the real inspiration in the Girondist party for all that was best and most uplifting. The charge against her when before the bar of judgment of Fouquier-Tinville, the terrible prosecutor, consisted in her relation to the Girondists who had been condemned to death as traitors to the republic. She met her death heroically, as became a woman who had lived bravely. At the very last moment of her life, she offered consolation to fellow victims. Her death was that of the greatest heroine of the Revolution, the climax of a life the one ambition of which had been to save her country and to shed her blood for it. As she rode through the city in her pure white raiment, serenely radiant in her own innocence, she was the embodiment of all that was highest and purest in the Revolution--one of the best and greatest women known to French history. She stands out as a representative of the French Republic. There are a number of traits of Mme. Roland which should be considered before giving a final estimate of her character, of her role in French history, and of her right to be ranked among the most illustrious women of France. Critics in general seem to show her a marked hostility; such men as Caro assert that she had no modesty, that she lacked sentiment, delicacy, and reserve. M. Saint-Amand said that she reflected the vices and virtues of her age, summing up the passions and illusions, being intellectually and morally the disciple of Rousseau, but socially personifying the third estate, which in the beginning asked for nothing, but later demanded all. Politics made her cruel at times, although by nature she was good and sensible. He declared that with her acquaintance with Buzot began her career of love and ambition. In love, she believed herself a patriot, but all the various phases of her public career were simply the results of her emotions. Thus, for example, in order to see Buzot, she persuaded her husband to return to Paris to seek his fortune and make the realization of her dreams possible. She desired to play a role for which her origin had not destined her, which made her actions appear theatrical and affected. It is ev
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