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n that of _preciosite_. As the power of the young king became stronger, his favor became the goal of all men of letters. Although woman still to some extent controlled the destinies of those who were struggling for recognition and reputation, her influence was of a secondary nature, that of the king being supreme. Woman seemed to be overcoming the influence of woman--Mme. de Montespan replaced Mlle. de La Valliere, and she was in turn replaced by Mme. de Maintenon. The degeneration of the king was accompanied by that of literature, society, and morals. The characteristic inclination of the day was eagerly to seek and grasp that which was new, and the noble, forceful, and dignified style of language of the previous period was replaced by one of much lighter description; many female writers directed their efforts entirely toward amusing, pleasing, and gaining applause. In the beginning of the eighteenth century, with Mme. de Lambert as its leader, there was a renascence of the _preciosite_ of the Hotel de Rambouillet, women protesting against the prevalent grossness and indecency of manners. The salon of Mme. de Lambert was the great antechamber to the Academy, election to which was generally gained through her. A new aristocracy was forming, a new society arose; from about 1720 to 1750, libertinism and atheism, licentiousness and intrigue, crept into the salons. The new aristocracy was of doubtful and impure source, cynical in manner, unbridled in habits, over-fastidious in taste, and politically powerful. In this society woman began to be felt as a political force. M. Brunetiere said: "Mme. de Lambert made Academicians; the Marquise de Prie made a queen of France; Mme. de Tencin made cardinals and ambassadors." Montesquieu wrote: "There is not a person who has any employment at the court in Paris or in the provinces, who has not the influence (and sometimes the injustices which she can cause) of a woman through whom all favors pass;" and M. Brunetiere added: "This woman is not his wife." The popular spirit in literature was one of subtleness, irony, superficial observations on manners and customs. From the beginning of the eighteenth century up to the eve of the Revolution, woman's influence continued to increase, but that influence was mainly in the direction of politics. Thus, in every period in French history, a group of women effectively moulds French thought and language, and directs intellectual activity
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