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, besides promoting good living and happiness in this life, they gave hope for the life to come. "The man purified by initiation," says Pindar, "has understood before his death the beginning and end of life, and after death dwells with the gods." In Polygnotus's famous painting of the infernal regions, in the Lesche at Delphi, two women were represented trying to carry water in jars that have no bottoms; an inscription states that they were never initiated, and the moral was "that without initiation life is altogether wasted and lost." In the worship of Demeter and in the Eleusinian mysteries there was everything to appeal to woman--the sanctity of marriage, deified motherhood, exaltation of the home and of domestic duties--and the zeal manifested by Athenian women in these religious rites doubtless promoted a feminine piety and a natural devoutness which ennobled the Athenian home and softened parental discipline. The Thesmophoria was the festival of the married women; but young girls and even children had their festivals in the Brauronia and the Artemisia, celebrated in honor of Artemis, the special patron of virgins. The Brauronia was celebrated every fifth year, in the little town of Brauron. Chosen Athenian maidens between the ages of five and ten years, dressed in saffron-colored garments, went in solemn procession to the sanctuary of the goddess, where they performed a propitiatory rite, in which they imitated bears, an animal sacred to Artemis. Every maiden of Athens, before she could marry, must have once taken part in this festival and consecrated herself to the goddess. There was also a precinct of Artemis Brauronia on the Acropolis, and doubtless this ceremony was also performed there. Almost everywhere this virgin goddess was revered by young girls as the guardian of their maiden years, and before marriage it was the custom that the bride should dedicate to Artemis a lock of her hair, her girdle, and her maiden tunic. Maidens also took part in the worship of the twin brother of Artemis, Apollo, in the island of Delos, which was the birthplace of the god and goddess. The celebration was a festival of youth and beauty, of poetry and art. Aristocratic maidens of Athens joined with those of the seat of the Delphian confederacy over which Athens presided in making the occasion emphasize the power and splendor of Athens in the height of its greatness. "Once every five years, in the spring, a solemn festi
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