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s for Egypt so soon after they had been married, though she eagerly desired it, and her father had shut her up and kept her forcibly at home. But she found means of escape. A few days after Panteus's departure, she slipped out by night, mounted a horse and rode to Taenarum, and there embarked on a vessel sailing for Egypt, where she soon found her husband, and with him cheerfully endured all the sufferings and hardships that befell them in a hostile country. She was now the moral support of the whole company of helpless women. She moved about among them, comforting and consoling. She gave her hand to Cratesiclea, as the latter was being led out by the soldiers to execution, held up her robe, and begged her to be courageous, being herself not in the least afraid of death, and desiring nothing else than to be killed before the children were put to death. When they reached the place of execution, the children were first killed before Cratesiclea's eyes; and afterward she herself suffered death, with these pathetic words on her lips: "O children, whither are you gone?" Panteus's wife, as her husband did for the men, performed the last offices for the women. In silence and perfect composure, she looked after every one that was slain, and laid out the bodies as decently as circumstances would permit. And then, after all were killed, adjusting her own robe so that she might fall becomingly, she courageously submitted to the stroke of the executioner. Thus ended the second great movement for the reformation of Sparta, and henceforth Sparta, as an independent State; disappears from history. The story of the fall of Sparta owes its human interest chiefly to the women involved, and Plutarch recognizes this fact when, in concluding his story of Cleomenes, he, with the Greek dramatic contests before his mind, says: "Thus Lacedaemon, exhibiting a dramatic contest in which the women vied with the men, showed in her last days that virtue cannot be insulted by fortune." Chilonis, Agesistrata, Agiatis, Cratesiclea, the wife of Panteus,--what a pity that we do not know her name!--constitute the most admirable feminine group that Greek history offers us. What especially charms us is that they unite with the strength and self-abnegation of the ancient Spartan matron a sweetness, a tenderness, a womanliness, which we have not been accustomed to attribute to Spartan women. They are Spartans, but they are, above all, women. VIII
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