and broken by human violence. Similar
but smaller propylaea succeed to this court, of which they form the inner
side." This is the spot which I have selected for a retrospective view
of the Great Hall, the obelisk still standing, but the propylaea in the
fore-ground a mass of utter ruin. Still following the intricate plan of
the great temple through the ruined propylaea in the fore-ground, we
reach another court with two obelisks of larger dimensions, the one now
standing being 92 feet high and 8 square, surrounded by a peristyle, if
I may be allowed the expression, of Osiride figures. Passing between two
dilapidated propylaea, you enter another smaller area, ornamented in a
similar manner, and succeeded by a vestibule, in front of the granite
gateways that form the facade of the court before the sanctuary. This
last is also of red granite, divided into two apartments, and surrounded
by numerous chambers of small dimensions, varying from 29 feet by 16, to
16 feet by 8. The walls of this small sanctuary, standing on the site of
a more ancient one, are highly polished, sculptured, and painted, and
the ceiling of stars on a blue ground, the whole exquisitely finished.
The entire height of the hall, _i. e._, the central portion, is not less
than 80 feet, the propylaea still higher.
The imagination is no doubt bewildered in following these numerous
details, and yet much is left undescribed and even unnoticed, and the
eye, even of the visitor, more than satisfied with seeing, will return
to the prominent objects, those alone, of which he can expect to retain
a vivid recollection. The Great Hall will attract his attention above
every thing else.
SCENERY ON THE ERIE RAILROAD.
[Illustration: VIEW FROM PIERMONT, LOOKING NORTH.]
The construction of the Erie railroad through the hitherto secluded
valleys of the Delaware and Susquehanna rivers, and reaching now almost
to the Allegany, has opened to access new fields for the tourist,
abounding with the loveliest and the grandest works of Nature. From the
Hudson to the Lakes, the scenery is constantly changing from the
romantic and beautiful to the bold and rugged; and again from the
sublime and fearfully grand to the sweetest pictures of gentle beauty.
There is probably no road in the world that passes through such a
variety of scenery as does the Erie, and there is certainly none that
can present to the traveler such a succession of triumphs of art over
the formidabl
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