to M. St. Rene Taillandier. The examination, by myself and my friend
Signor Mario Pratesi, of several hundreds of MS. letters of the Countess
of Albany existing in public and private archives at Siena and at
Milan, has added an important amount of what I may call psychological
detail, overlooked by Baron von Reumont and unguessed by M. St. Rene
Taillandier. I have, therefore, I trust, been able to reconstruct the
Countess of Albany's spiritual likeness during the period--that of her
early connection with Alfieri--which my predecessors have been satisfied
to despatch in comparatively few pages, counterbalancing the thinness of
this portion of their biographies by a degree of detail concerning the
Countess's latter years, and the friends with whom she then corresponded,
which, however interesting, cannot be considered as vital to the real
subject of their works.

Besides the volumes of Baron von Reumont and M. St. Rene Taillandier, I
have depended mainly upon Alfieri's autobiography, edited by Professor
Teza, and supplemented by Bernardi's and Milanesi's _Lettere di Vittorio
Alfieri_, published by Le Monnier in 1862. Among English books that I
have put under contribution, I may mention Klose's _Memoirs of Prince
Charles Edward Stuart_ (Colburn, 1845), Ewald's _Life and Times of
Prince Charles Stuart_ (Chapman and Hall, 1875), and Sir Horace Mann's
_Letters to Walpole_, edited by Dr. Doran. A review, variously
attributed to Lockhart and to Dennistoun, in the _Quarterly_ for 1847,
has been all the more useful to me as I have been unable to procure,
writing in Italy, the _Tales of the Century_, of which that paper gives
a masterly account.

For various details I must refer to Charles Dutens' _Memoires d'un
Voyageur qui se repose_ (Paris, 1806); to Silvagni's _La Corte e la
Societa Romana nel secolo XVIII._; to Foscolo's _Correspondence_, Gino
Capponi's _Ricordi_ and those of d'Azeglio; to Giordani's works and
Benassu Montanari's _Life of Ippolito Pindemonti_, besides the books
quoted by Baron Reumont; and for what I may call the general pervading
historical colouring (if indeed I have succeeded in giving any) of the
background against which I have tried to sketch the Countess of Albany,
Charles Edward and Alfieri, I can only refer generally to what is
now a vague mass of detail accumulated by myself during the years of
preparation for my _Studies of the Eighteenth Century in Italy_.

My debt to the kindness of persons who