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the husbandman above the uncertainties incident to less favorable climates, while at the same time the mild climate reduced to a minimum the demands upon his productive powers for the supply of the necessaries of life. This interesting people had the curious custom of depositing the mummies of their dead in tombs elaborately hewn out of the rock, or excavated in more yielding ground, in the hills which border the narrow valley of the Nile. Many of these excavations are of very considerable extent, reaching sometimes to the number of twenty rooms, and a linear distance of 600 feet from the entrance. The walls of these underground apartments are generally decorated in outline intaglio if the rock be hard; or in color if the walls be plaster, as is often the case. The subjects of the decorations embrace the entire range of the domestic and public life of the people, among them being many of a musical character. One of the first discoveries of this kind was made toward the close of the preceding century, when Bruce, an English traveler, found in a tomb at Biban-El-Moulouk representations of two magnificently decorated harps played by priests. These have since generally been called "Bruce's Harpers." The instruments have been represented in many ways by different writers, the most curious perversion of the facts being found in Burney's "History of Music," where they have the form of the modern harp. [Illustration: Harps, pipe, and flute, from an ancient tomb near the Pyramids. Fig. 1. EXPLANATION OF FIG. 1.--(1) Harper, with harp, bent, of seven cords; over him is inscribed in hieroglyphs sqa em bents (_a_), "player [literally "scraper"] on the harp." (2) Singer, seated; above him, hes t (_b_) "singer." (3, 4) Similar harper and singer, and same inscriptions (_c_, _d_). (5, 6) Singer and player on the direct flute or pipe; before the former, hes (_h_) "singer"; before the latter, mem t (_g_) "pipe." (7, 8) Singer and player on the oblique flute, seba (_e_); before the former, hes (_f_) "singer."] Several large works have been devoted to plates of the pictorial discoveries in these ancient tombs, but not until the colossal work of Lepsius, issued under the auspices of the German government, were we in possession of data for the study of this civilization from the standpoint of a progressive development. The oldest of the musical representations are found in tombs near Thebes, and already we find the art in an advan
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