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you will naturally imagine, to see the Tomb to the sainted memory of Pope Julius, my uncle, brought to a good conclusion by you, and we know well that it belongs to our duty to have good care of it, and see it ultimately finished, being held to it as you so well know by that sainted spirit: nevertheless, having heard by letters from our ambassador at Rome the great desire of our Lord, we must comfort ourselves with all patience whilst this said work is passed over by you. As long as His Holiness holds you busy in finishing the picture in the said chapel of Sisto; not being able or willing, but by our duty and our natural inclination in this as in all things to otherwise than comply with his wishes, we are contented to agree with a good grace, on reflection and by the reverence we bear to His Holiness. You may, therefore, fairly go on with the painting until the work is finished; but with a firm hope and belief that when it is done you will give yourself up entirely to finishing the said Tomb, redoubling your diligence and care to make up for the loss of time, as His Holiness has also promised you shall, kindly offering himself to urge you to do it; and to this end we have written you this letter. So long a time has passed since this said Tomb was begun that we cannot persuade ourselves but that you are equally desirous with us to see it finished; and esteeming you an honourable man, as we certainly believe you are--you cannot be otherwise with your singular virtue--we judge it superfluous to give you any admonition except that you keep yourself in good health, in order that you may honour those sainted bones that living honoured you and the other gifted men of that age, by all that we have so often heard. We beg you will make use of us if there is any other matter in which we can do you pleasure, for we shall do it with that good will which your most rare gifts deserve. And keep well." [Image #44] THE JUDGE. FROM "THE DAY OF JUDGMENT" SISTINE CHAPEL, ROME (_By permission of the Fratelli, Alinari, Florence_) Shortly before the fresco was finished, Vasari informs us that Michael Angelo had a bad fall from the scaffolding, and injured his leg. He returned home, shut himself up in his house, and would not all
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