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of meaning, for had he not studied the seven liberal Arts at the University of Bologna? Now one evening, as he was walking under the cloister arches, he felt his heart filled with trouble and sadness at the remembrance of a lady of Florence he had loved in the first flower of his youth, ere the habit of St. Francis was a safeguard to his flesh. He prayed God to drive away the image; nevertheless his heart continued sad within him. "The bells," he pondered, "say like the Angels, AVE MARIA; but their voice is lost in the mists of heaven. On the cloister wall yonder, the Master Perugia delights to honour has painted marvellous well the three Marys contemplating with a love ineffable the body of the Saviour. But the night has veiled the tears in their eyes and the dumb sobs of their mouths, and I cannot weep with them. Yonder Well in the middle of the cloister garth was covered but now with doves that had come to drink, but these are flown away, for they found no water in the hollows of the carven well-head. And behold. Lord! my soul falls silent like the bells, is darkened like the holy Marys, and runs dry like the well. Why, Jesus my God! why is my heart arid, and dark, and dumb, when Thou art its dayspring, and the song of birds, and the water-brook flowing from the hills?" Fra Mino dreaded to return to his cell, and thinking prayer would dispel his melancholy and calm his disquiet, he passed into the Monastery Church by the low door leading from the cloister. Silence and gloom filled the building, raised more than a hundred and fifty years before on the foundations of a ruined Roman Temple by the great Margaritone. He traversed the Nave, and went and knelt in the Chapel behind the High Altar dedicated to San Michele, whose legend was painted in fresco on the wall. But the dim light of the lamp hanging from the vault was insufficient to show the Archangel fighting with Satan and weighing souls in the balance. Only the moon, shining through the great window, threw a pale ray over the Tomb of San Satiro, where it lay under an arcade to the right of the Altar. This tomb, in shape resembling the great vats used at vintage time, was more ancient than the Church and in all respects similar to a Pagan sarcophagus, except that the sign of the Cross was to be seen traced in three different places on its marble sides. Fra Mino remained for hours prostrate before the Altar; but he found it impossible to pray, and at midnigh
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