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and impetuosity of his nature. And he took for mistresses the Lady Mandetta and the Lady Giovanna, who represented the one the Albigensians, the other the Ghibellines. It was the time when Messer Dante Alighieri was Prior of the Arts and Liberty. The city was divided into two hostile camps, those of the Bianchi and the Neri. One day when the principal citizens were assembled in the Piazza of the Frescobaldi, the Bianchi on one side the square and the Neri on the other, to assist at the obsequies of a noble lady of Florence, the Doctors and the Knights were seated as the custom was, on raised benches, while in front of them the younger men sat on the ground on rush mats. One of the latter standing up to settle his cloak, those who were opposite thought he was for defying them. They started to their feet in turn, and bared their swords. Instantly every one unsheathed, and the kinsmen of the dead lady had all the difficulty in the world to separate the combatants. From that day, Florence ceased to be a town gladdened by the work of its handicraftsmen, and became a forest full of wolves ravening for each other's blood. Messer Guido shared these savage passions, and grew gloomy, restless and sullen. Never a day passed but he exchanged sword-thrusts with the Neri in the streets of Florence, where in old days he had meditated on the nature and constitution of the soul. More than once he had felt the assassin's dagger on his flesh, before he was banished with the rest of his faction and confined in the plague-stricken town of Sarzana. For six months he languished there, sick with fever and hate. And when eventually the Bianchi were recalled, he came back to his native city a dying man. In the year 1300, on the third day after the Assumption of the Blessed Virgin Mary, he found strength enough to drag himself as far as his own fair Church of San Giovanni. Worn out with fatigue and grief, he lay down on the tomb of Julia Laeta, who in the old days had revealed to him the mysteries the profane know nothing of. It was the hour when the Church bells ring out through the quivering air of evening a long-drawn farewell to the setting sun. Messer Betto Brunelleschi, who was crossing the Piazza on his way home from his country house, saw amid the tombs two haggard falcon's eyes burning in a fleshless face, and recognizing the friend of his youth, was seized with wonder and pity. He approached him, and kissing him as he used in forme
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