"They who like myself are in possession of noble secrets and excel in
their art should keep both mind and hand ceaselessly active to carry out
their enterprises, so as to win much wealth and leave a long memory
behind them. And if I, old and broken down as I am, spare myself no
trouble, you are bound to do your utmost to help me with all your
strength, which is fresh, hearty and undiminished."
And in order that his colours, his tesserae of molten glass and his
impastos might be all ready prepared by dawn of day, he forced the lads
to rise in the middle of the night. Nothing could well be more hateful
to Buffalmacco, who was in the habit of supping plentifully, and loved
to run the streets at an hour when, as they say, all cats are grey. He
went to bed late and slept sound, his conscience being clear enough
after all. Accordingly, when Tafi's shrill voice woke him up out of his
beauty sleep, he would only turn round on his pillow and pretend to be
deaf. But his master invariably persisted, and at a pinch would go into
the apprentice's room and very soon have the sheets dragged off the bed
and a jug of cold water emptied over the sluggard's head.
Poor Buffalmacco, shivering and half dressed, would away grumbling, to
grind the colours in the dark, cold workroom, cudgelling his wits the
while, grinding and cursing all the time, to think of some way of
escaping such harsh and humiliating treatment in future. Long he sought
in vain; but his mind was an active one, and one morning early a happy
thought struck him.
To put this in execution, Buffalmacco waited till his master was out of
the way. Directly day broke, Andrea Tafi, as his habit was, pocketed the
flask of Chianti and the three eggs that formed his regular breakfast,
and bidding his pupils melt the glass tesserae according to the
directions, and take every possible pains, went off to work in the
famous church of San Giovanni, a marvellously beautiful building,
constructed with admirable art in the Classical manner. At the time he
was executing on its walls a series of mosaics representing the Angels,
Archangels, Cherubim and Seraphim, Powers, Thrones and Dominions; the
chief acts of the Almighty, from the Creation of Light to the Deluge;
the history of Joseph and his brethren, the history of Jesus Christ from
the moment He was conceived in His Mother's womb till His Ascension
into Heaven, and the life of St. John Baptist. Seeing the infinite pains
he took to fix
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