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Pougin, A. Dict. Hist, du Theatre. 1885. Aulnaye, De l'. "De la Saltation theatrale." 1789. Olaus Magnus. Gent. Septentr., Hy., Book III., Chap. VII. See Bourne's "Vulgar Antiqs.," p. 175. Abbeau-Thoinot (Canon Jean Tabourot). "Orchesographie." 1643. Strutt's "Sports and Pastimes." London, 1801. Thomson, Chas. and Samuel. Collection of 800 Dances. 4 vols. 1770-1773. Playford's "Dancing Master." 2nd ed. 1652. Wilkinson, Sir G. "Ancient Egyptians." 3 vols. London. Dennis. "Etruria." 2 vols. London. Compan. "Dictionnaire de la Danse." 1802. Blasis, C. "Traite de la Danse." Milan, 1830. ---. "Code of Terpsichore." London, 1823. Vuillier, G. "La Danse a travers les Ages." Menil, F. de. "Histoire de la Danse a travers les Ages." Fonta Laure, Mme. "Notice sur les Danses du xvi. siecle." Guihelmi. "Hebraie Pisauriensis, _de practica seu arte trepudis, &c._" 1463. MS. Bib. Nation. Domini, Johan. "Pisauriensis," ditto. MS. Bib. Nation. 1463. Caroso, F. "Il Ballarino." 1581. Cesare Negri. "Nuovo Invenzioni di Balli." 1604. Vestris, D. "Les Danses autrefois." 1887. Desrat, G. "Dictionnaire de la Danse." Paris, 1895. Rameau, P. "Le Maitre a danser." Magny. "Principes de Choregraphie." Paris, 1765. ---. "Nouveau Guide de la Danse." 1888. Gawlikowski, P. "Guide complet de la Danse." 1858. Angiolini. "Discuzzioni sulla dansa pantomima." 1760. Saint Leon. "De l'etat actuel de la danse." Lisbon, 1856. Giraudet, E. Traite de la danse, 1890. ---. Nouveau Guide, 1888. Grove, Mrs. Lilly. "History of Dancing." London, 1890. Skalkovsky-Pleshcheev. "Nash Balet" (our Ballet). 1899. A History of the Russian Ballet, in Russian. End of Project Gutenberg's The Dance (by An Antiquary), by Anonymous *** END OF THIS PROJECT GUTENBERG EBOOK THE DANCE (BY AN ANTIQUARY) *** ***** This file should be named 17289.txt or 17289.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/2/8/17289/ Produced by Ben Courtney, Sandy Brown, and the Distributed Proofreaders team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special ru
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