FREE BOOKS

Author's List




PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  
A bird in a cage would have as good a story, Most of my events, and nearly all my intense pleasures, have passed in my _thoughts_. I wrote verses--as I dare say many have done who never wrote any poems--very early; at eight years old and earlier. But, what is less common, the early fancy turned into a will, and remained with me, and from that day to this, poetry has been a distinct object with me--an object to read, think, and live for. And I could make you laugh, although you could not make the public laugh, by the narrative of nascent odes, epics, and didactics crying aloud on obsolete muses from childish lips. The Greeks were my demi-gods, and haunted me out of Pope's Homer, until I dreamt more of Agamemnon than of Moses the black pony. And thus my great "epic" of eleven or twelve years old, in four books, and called "The Battle of Marathon," and of which fifty copies were printed because papa was bent upon spoiling me--is Pope's Homer done over again, or rather undone; for, although a curious production for a child, it gives evidence only of an imitative faculty and an ear, and a good deal of reading in a peculiar direction. The love of Pope's Homer threw me into Pope on one side and into Greek on the other, and into Latin as a help to Greek--and the influence of all these tendencies is manifest so long afterwards as in my "Essay on Mind," a didactic poem written when I was seventeen or eighteen, and long repented of as worthy of all repentance. The poem is imitative in its form, yet is not without traces of an individual thinking and feeling--the bird pecks through the shell in it. With this it has a pertness and pedantry which did not even then belong to the character of the author, and which I regret now more than I do the literary defectiveness. 'All this time, and indeed the greater part of my life, we lived at Hope End, a few miles from Malvern, in a retirement scarcely broken to me except by books and my own thoughts, and it is a beautiful country, and was a retirement happy in many ways, although the very peace of it troubles the heart as it looks back. There I had my fits of Pope, and Byron, and Coleridge, and read Greek as hard under the trees as some of your Oxonians in the Bodleian; gathered visions from Plato and the dramatists, and eat and drank Greek and made my head ache with it. Do you know the Malvern Hills? The hills of Piers Plowman's Visions? They seem to me my native hills; for, although I wa
PREV.   NEXT  
|<   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32  
33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   >>   >|  



Top keywords:

object

 

thoughts

 

Malvern

 

retirement

 

imitative

 

belong

 

character

 
author
 

greater

 

defectiveness


literary
 

manifest

 

regret

 
pedantry
 

individual

 

traces

 

seventeen

 
thinking
 

feeling

 

eighteen


repentance

 

worthy

 

repented

 

didactic

 
pertness
 
written
 

troubles

 

visions

 

dramatists

 

gathered


Bodleian

 
Oxonians
 
Visions
 

native

 

Plowman

 
broken
 

scarcely

 

beautiful

 

country

 

Coleridge


tendencies

 

spoiling

 
distinct
 

public

 

narrative

 

poetry

 
remained
 
nascent
 
childish
 
Greeks