e proposal, as many in his place would
probably have done; but, as the motive might have been capable of
misrepresentation, he thought it most prudent, considering the character
and circumstances of the old man, to decline the invitation.
Such are a few traits of Scottish mendicity, designed to throw light on
a Novel in which a character of that description plays a prominent
part. We conclude, that we have vindicated Edie Ochiltree's right to the
importance assigned him; and have shown, that we have known one beggar
take a hand at cards with a person of distinction, and another give
dinner parties.
I know not if it be worth while to observe, that the Antiquary,* was not
so well received on its first appearance as either of its predecessors,
though in course of time it rose to equal, and, with some readers,
superior popularity.
* Note A. Mottoes.
EDITOR'S INTRODUCTION TO THE ANTIQUARY.
"THE ANTIQUARY" was begun in 1815; the bargain for its publication by
Constable was made in the October of that year. On December 22 Scott
wrote to Morritt: "I shall set myself seriously to 'The Antiquary,' of
which I have only a very general sketch at present; but when once I get
my pen to the paper it will walk fast enough. I am sometimes tempted to
leave it alone, and try whether it will not write as well without the
assistance of my head as with it,--a hopeful prospect for the reader!'"
It is amazing enough that he even constructed "a general sketch," for
to such sketches he confesses that he never could keep constant. "I have
generally written to the middle of one of these novels without having
the least idea how it was to end,--in short, in the hab nab at a venture
style of composition" (Journal, Feb. 24, 1828). Yet it is almost
impossible but that the plot of "The Antiquary" should have been duly
considered. Scott must have known from the first who Lovel was to
turn out to be, and must have recognised in the hapless bride of
Lord Glenallan the object of the Antiquary's solitary and unfortunate
passion. To introduce another Wandering Heir immediately after the Harry
Bertram of "Guy Mannering" was rather audacious. But that old favourite,
the Lost Heir, is nearly certain to be popular. For the Antiquary's
immortal sorrow Scott had a model in his own experience. "What a romance
to tell!--and told, I fear, it will one day be. And then my three years
of dreaming and my two years of wakening will be chronicled doubtless.
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