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be as careful as you can in choosing them. It was four weary days before this jury was made up, but when it was finally complete, it did great credit to the counsel for the defence. So far as Mr. Braham knew, only two could read, one of whom was the foreman, Mr. Braham's friend, the showy contractor. Low foreheads and heavy faces they all had; some had a look of animal cunning, while the most were only stupid. The entire panel formed that boasted heritage commonly described as the "bulwark of our liberties." The District Attorney, Mr. McFlinn, opened the case for the state. He spoke with only the slightest accent, one that had been inherited but not cultivated. He contented himself with a brief statement of the case. The state would prove that Laura Hawkins, the prisoner at the bar, a fiend in the form of a beautiful woman, shot dead George Selby, a Southern gentleman, at the, time and place described. That the murder was in cold blood, deliberate and without provocation; that it had been long premeditated and threatened; that she had followed the deceased-from Washington to commit it. All this would be proved by unimpeachable witnesses. The attorney added that the duty of the jury, however painful it might be, would be plain and simple. They were citizens, husbands, perhaps fathers. They knew how insecure life had become in the metropolis. Tomorrow our own wives might be widows, their own children orphans, like the bereaved family in yonder hotel, deprived of husband and father by the jealous hand of some murderous female. The attorney sat down, and the clerk called?" "Henry Brierly." End of the Project Gutenberg EBook of The Gilded Age, Part 6. by Mark Twain (Samuel Clemens) and Charles Dudley Warner *** END OF THIS PROJECT GUTENBERG EBOOK THE GILDED AGE, PART 6. *** ***** This file should be named 5823.txt or 5823.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/5/8/2/5823/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copyi
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