ir appearance at the King's mass in a military costume; and an Italian soprano adopted the uniform of a grenadier captain. The King was very much offended at this conduct, and forbade his servants to appear in his presence in so unsuitable a dress.

The departure of the Duchesse de Polignac naturally left the Abbe de Vermond exposed to all the dangers of favouritism. He was already talked of as an adviser dangerous to the nation. The Queen was alarmed at it, and recommended him to remove to Valenciennes, where Count Esterhazy was in command. He was obliged to leave that place in a few days and set off for Vienna, where he remained.

On the night of the 17th of July the Queen, being unable to sleep, made me watch by her until three in the morning. I was extremely surprised to hear her say that it would be a very long time before the Abbe de Vermond would make his appearance at Court again, even if the existing ferment should subside, because he would not readily be forgiven for his attachment to the Archbishop of Sens; and that she had lost in him a very devoted servant. Then she suddenly remarked to me, that although he was not much prejudiced against me I could not have much regard for him, because he could not bear my father-in-law to hold the place of secretary of the closet. She went on to say that I must have studied the Abbe's character, and, as I had sometimes drawn her portraits of living characters, in imitation of those which were fashionable in the time of Louis XIV., she desired me to sketch that of the Abbe, without any reserve. My astonishment was extreme; the Queen spoke of the man who, the day before, had been in the greatest intimacy with her with the utmost coolness, and as a person whom, perhaps, she might never see again! I remained petrified; the Queen persisted, and told me that he had been the enemy of my family for more than twelve years, without having been able to injure it in her opinion; so that I had no occasion to dread his return, however severely I might depict him. I promptly summarised my ideas about the favourite; but I only remember that the portrait was drawn with sincerity, except that everything which could denote antipathy was kept out of it. I shall make but one extract from it: I said that he had been born talkative and indiscreet, and had assumed a character of singularity and abruptness in order to conceal those two failings. The Queen interrupted me by saying, "Ah! how true that is!" I have since discovered