d I still felt
it so incomplete that I referred it to his closest and my best friend,
the late Charles Eliot Norton, for his criticism. He thought it wanting
in unity; it was a group of studies instead of one study, he said; I must
do something to draw the different sketches together in a single effect
of portraiture; and this I did my best to do.

It was the latest written of the three articles which give the volume
substance, and it represents mare finally and fully than the others my
sense of the literary importance of the men whose like we shall not look
upon again. Longfellow was easily the greatest poet of the three, Holmes
often the most brilliant and felicitous, but Lowell, in spite of his
forays in politics, was the finest scholar and the most profoundly
literary, as he was above the others most deeply and thoroughly New
England in quality.

While I was doing these sketches, sometimes slighter and sometimes less
slight, of all those poets and essayists and novelists I had known in
Cambridge and Boston and Concord and New York, I was doing many other
things: half a dozen novels, as many more novelettes and shorter stories,
with essays and criticisms and verses; so that in January, 1900, I had
not yet done the paper on Lowell, which, with another, was to complete my
reminiscences of American literary life as I had witnessed it. When they
were all done at last they were republished in a volume which found
instant favor beyond my deserts if not its own.

There was a good deal of trouble with the name, but Literary Friends and
Acquaintance was an endeavor for modest accuracy with which I remained
satisfied until I thought, long too late, of Literary Friends and
Neighbors. Then I perceived that this would have been still more
accurate and quite as modest, and I gladly give any reader leave to call
the book by that name who likes.

Since the collection was first made, I have written little else quite of
the kind, except the paper on Bret Harte, which was first printed shortly
after his death; and the study of Mark Twain, which I had been preparing
to make for forty years and more, and wrote in two weeks of the spring of
1910. Others of my time and place have now passed whither there is
neither time nor place, and there are moments when I feel that I must try
to call them back and pay them such honor as my sense of their worth may
give; but the impulse has as yet failed to effect itself, and I do not
know how long