this first book, he promised the reader that he would
undertake the second project. It is fortunate that Father Borghesi
undertook this project for the second clock is the only example of his
work that is known to exist today. Extensive research has not shown what
happened to the first clock, although several sources state that both
timepieces were presented to Empress Maria Theresa sometime between 1764
and 1780.

Second Borghesi Clock

Father Borghesi lost no time in initiating the project of the second
clock. The first and most important step was to inform Bertolla and
enlist his assistance. Bertolla was adamant: he had had enough of
complicated astronomical movements. He was delighted by the prospect of
returning to his former simple life, producing simple, domestic,
elementary movements for his country clients. Father Borghesi begged and
cajoled. The second clock would be a much simpler one to construct, he
persisted. After all, they had gained invaluable experience from the
production of the first clock. Furthermore, he had already completed its
design.

Bertolla apparently wavered in his resolve and, unwillingly and against
his better judgment, he allowed the priest's inducements to prevail.
Once again, the two friends yielded their leisure hours to a study of
the priest's books and drawings as Father Borghesi enthusiastically
elaborated his design for the timepiece, and Bertolla attempted to
transcribe astronomical indications into terms of wheel counts. The
second clock was, as Borghesi had promised, much easier of execution.
Within a year, it was completed and functioned with complete success.

[Illustration: Figure 8.--THE BORGHESI CLOCK in the Museum of History
and Technology, constructed in 1764 by Bartolomeo Antonio Bertolla of
Mocenigo di Rumo from the designs of Father Francesco Borghesi of Rumo
and Mechel.]

[Illustration: Figure 9.--ANOTHER VIEW of the Borghesi clock.]

This is the clock now in the Museum of History and Technology. It is
housed in a tall case of dark-red mahogany veneered on oak, with
restrained carving featuring ribands and foliate motifs. Gilt-brass
decorations flank the face of the hood, which is surmounted by three
gilt-brass finials in the form of orbs. A wide door in the waist may be
opened to attend the weights. The case is 7 feet 8 inches high, 20-1/2
inches wide at the waist, and 14 inches in depth.

The dial is of gilt brass, measuring 21 inches high and 15 in