FREE BOOKS

Author's List




PREV.   NEXT  
|<   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123  
124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   >>   >|  
ll at some distance from him_) Have you made up your mind what you are going to call it? Is it to be _Capriccio_? AMADEUS Perhaps _Capriccio doloroso_. It is peculiar how one often fails to understand one's own ideas to begin with. The hidden sadness of that theme has been revealed to me by you. CECILIA Oh, you would have discovered it yourself, Amadeus. AMADEUS Maybe. (_Pause_) And whom will you get for the studying of your parts next year? CECILIA Oh, I'll always find somebody. Those numbers for the concert--you'll help me with those just the same, won't you? And I hope you'll be kind enough to give me the accompaniment at the concert too. AMADEUS That's a foregone conclusion.--But I should really like to know who is to assist you with your studies after this. CECILIA Do you regard that as the most important problem to be solved? AMADEUS No, of course not. The less so, as I don't quite see why I shouldn't go on helping you as before. CECILIA (_with a smile_) Oh, you think...? But then we should have to agree on hours and conditions. AMADEUS That was not meant as a joke, Cecilia. Seeing that we are parting in a spirit of perfect understanding, why shouldn't such an arrangement be considered tentatively at least? CECILIA Those things will probably settle themselves later on.... That we ... that you play my accompaniment at a concert ... or help me to study a part.... AMADEUS Why later on?... (_He rises and stands leaning against the piano_) There can be no reasonable ground for changing our musical relationships. I think both of us would suffer equally from doing so. Without overestimating myself, I don't think it likely that you can find a better coach than I am. And as for my compositions, I don't know of anybody who could understand them better--with whom I would rather discuss them than with you. CECILIA And yet that's what you will have to come to. AMADEUS I can't see it. After all, we have nobody else to consider--at least, I have not. CECILIA Nor have I. I shall know how to preserve my freedom. AMADEUS Well, then...?! CECILIA Nevertheless, Amadeus.... That we must meet and talk is made necessary by our positions, of course.... But even in regard to our work things cannot possibly remain as hitherto. I'm sure you must realize that. AMADEUS I can't see it. And--leaving our artistic relations entirely aside--there is much else
PREV.   NEXT  
|<   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123  
124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   >>   >|  



Top keywords:

AMADEUS

 
CECILIA
 
concert
 

things

 
regard
 
shouldn
 
accompaniment
 

Capriccio

 

understand

 

Amadeus


leaving
 

realize

 

hitherto

 

ground

 
changing
 
reasonable
 

remain

 

possibly

 

stands

 
relations

leaning
 

artistic

 

settle

 

relationships

 
preserve
 

discuss

 

freedom

 
compositions
 

tentatively

 
Nevertheless

Without
 

equally

 

suffer

 

positions

 

overestimating

 
musical
 

discovered

 

revealed

 

studying

 
numbers

sadness

 

hidden

 

distance

 

Perhaps

 
doloroso
 

peculiar

 

conditions

 
helping
 

Cecilia

 

arrangement