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interest.(43) The Queen, and the bishops, and the world, were right in mistrusting the religion of that man. I am not here, of course, to speak of any man's religious views, except in so far as they influence his literary character, his life, his humour. The most notorious sinners of all those fellow mortals whom it is our business to discuss--Harry Fielding and Dick Steele, were especially loud, and I believe really fervent, in their expressions of belief; they belaboured freethinkers, and stoned imaginary atheists on all sorts of occasions, going out of their way to bawl their own creed, and persecute their neighbour's, and if they sinned and stumbled, as they constantly did with debt, with drink, with all sorts of bad behaviour, they got up on their knees, and cried "Peccavi" with a most sonorous orthodoxy. Yes; poor Harry Fielding and poor Dick Steele were trusty and undoubting Church of England men; they abhorred Popery, atheism, and wooden shoes, and idolatries in general; and hiccupped "Church and State" with fervour. But Swift? _His_ mind had had a different schooling, and possessed a very different logical power. _He_ was not bred up in a tipsy guard-room, and did not learn to reason in a Covent Garden tavern. He could conduct an argument from beginning to end. He could see forward with a fatal clearness. In his old age, looking at the _Tale of a Tub_, when he said, "Good God, what a genius I had when I wrote that book!" I think he was admiring not the genius, but the consequences to which the genius had brought him--a vast genius, a magnificent genius, a genius wonderfully bright, and dazzling, and strong,--to seize, to know, to see, to flash upon falsehood and scorch it into perdition, to penetrate into the hidden motives, and expose the black thoughts of men,--an awful, an evil spirit. Ah, man! you, educated in Epicurean Temple's library, you whose friends were Pope and St. John--what made you to swear to fatal vows, and bind yourself to a lifelong hypocrisy before the Heaven which you adored with such real wonder, humility, and reverence? For Swift was a reverent, was a pious spirit--for Swift could love and could pray. Through the storms and tempests of his furious mind, the stars of religion and love break out in the blue, shining serenely, though hidden by the driving clouds and the maddened hurricane of his life. It is my belief that he suffered frightfully from the consciousness of his own scep
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