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e wasn't going to forfeit his life. I fancy any of us would have done the same, too. He showed the Archbishop his press and explained how the Bibles had been printed." "It was a pity he had to." "It was something of a pity," answered Mr. Cameron. "And yet the secret must have come out sometime, I suppose, for subsequently Faust quarreled with Gutenburg and by and by set up a press of his own at Metz, and with two printing presses in the same town, and the workmen necessary to run them mingling with the populace, it was impossible to keep such an invention from the public. Gradually it became common property and it had become universal when Metz was sacked in the Franco-Prussian War, its printing rooms destroyed, and the workmen scattered." "Did that put an end to printing?" questioned Paul. "No. On the contrary it spread the art over France and Germany. By 1500 there were over fifty presses on the continent. In the meantime William Caxton, an English merchant, traveled to Holland to buy cloth, and there became so much interested in the books he saw and the tale of how they were printed that he purchased some type and, bringing it home, set up a printing press in London not far from Westminster Abbey. The first English book to be printed was dated 1474 and was called 'The Game of Chess.' Then came a Bible which was presented to the king. From this time on there was practically an end to the handwritten books made by the monks in cloisters and monasteries. Occasionally such a volume was made for the very rich because, as I told you, the elegant still considered paper and the printed book too common and cheap for their use. But with the steady improvement of ink and paper and the awakening desire of the masses to read what was printed came the dawn of religious liberty and the birth of learning." "It is a wonderful story!" cried Paul, much moved. "A book in itself, isn't it?" said his father. "It is an interesting fact, however, that Latin and the Latin text continued to be the language of the printed book for some time; this was not only because of an established precedent, but because the Renaissance in Italy revived an interest in classic literature. But by and by people demanded books in their native tongue. They wished to read something besides the classics--literature that was alive and a part of their own era. The written _novello_, or story, began to take the place of the ballads which the _trouveurs_,
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