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dual man who creates the machine--the inventor, and (2) the man who lives with the machine the engineer. 3. It expresses God, if only that He is a God who can make men who can thus express their souls. Machinery is an act of worship in the least sense if not in the greatest. If a man who can make machines like this is not clever enough with all his powers to find a God, and to worship a God, he can worship himself. It is because the poetry of machinery is the kind of poetry that does immeasurable things instead of immeasurably singing about them that it has been quite generally taken for granted that it is not poetry at all. The world has learned more of the purely poetic idea of freedom from a few dumb, prosaic machines that have not been able to say anything beautiful about it than from the poets of twenty centuries. The machine frees a hundred thousand men and smokes. The poet writes a thousand lines on freedom and has his bust in Westminster Abbey. The blacks in America were freed by Abraham Lincoln and the cotton gin. The real argument for unity--the argument against secession--was the locomotive. No one can fight the locomotive very long. It makes the world over into one world whether it wants to be one world or not. China is being conquered by steamships. It cannot be said that the idea of unity is a new one. Seers and poets have made poetry out of it for two thousand years. Machinery is making the poetry mean something. Every new invention in matter that comes to us is a spiritual masterpiece. It is crowded with ideas. The Bessemer process has more political philosophy in it than was ever dreamed of in Shelley's poetry, and it would not be hard to show that the invention of the sewing machine was one of the most literary and artistic as well as one of the most religious events of the nineteenth century. The loom is the most beautiful thought that any one has ever had about Woman, and the printing press is more wonderful than anything that has ever been said on it. "This is all very true," interrupts the Logical Person, "about printing presses and looms and everything else--one could go on forever--but it does not prove anything. It may be true that the loom has made twenty readers for Robert Browning's poetry where Browning would have made but one, but it does not follow that because the loom has freed women for beauty that the loom is beautiful, or that it is a fit theme for poetry." "Besides"--breaks in th
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