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easily confused with Gamma, and an Upsilon that resembles Tau. The Arabic text could not be transcribed. +LICHA SOLIBIKOS LITHODOMOS O:RTHOSEN ME+ _The first Lambda is upside-down. Probable correct reading:_ +LICHAS HO LIBIKOS LITHODOMOS O:RTHO:SEN ME.+ +GUMNOS E:N. EI ME: AN THE:RI- ON EMEKALUPSEN. ZE:TEI. HEU- RE:SE:DE. EASON ME.+ _Probable correct reading:_ +GUMNOS E:N, EI ME: AN THE:RI-/ON EME KALUPSEN. ZE:TEI. HEU- RE:SE: DE. EASON ME.+ NVDVSESSEM, BES- TIA NIME TEXIS- SET, QVAERE, ET INVE NIES. MESI- NITO. _Reading with corrected spacing and punctuation:_ NVDVS ESSEM, BES-/TIA NI ME TEXIS-/SET. QVAERE, ET INVENIES. ME SI-/NITO +HOSTIS EI. ALBEEK TOU DE TOU THE:SAUROU, OSNON ANA RESKOI. PARAINO: DE HO:S LABE:IS TE:N KEPHALE:N, ME: HAPTOU EO:MATOS.+ _Probable correct reading:_ +HOSTIS EI, LABE EK TOUDE TOU / THE:SAUROU, HOSON ANARESKOI. PARAINO: DE HO:S LABE:IS TE:N / KEPHALE:N, ME: HAPTOU SO:MATOS.+ ...QVANTVNCVN- QUE LIBVERIT HVIVS THESAVRI SVME AD MONEO... _Correct spacing: ADMONEO._ +THEOIS APHRODITIKAI TO: O: EROTI DIONISOS YKAI DE: ME:TRA EK TO:N IDIO:N MYTRI SUMPATHESTATE:+ _Probable correct reading:_ +THEOIS APHRODITE:I KAI TO:I HUIO:I ERO:TI DIONUSOS KAI DE:ME:TRA EK TO:N IDIO:N ME:TRI / SUMPATHESTATE: +AEI SPEU DE BRADEOS+ _Probable correct reading:_ +AEI SPEUDE BRADEO:S+ +PANTA TO KADI+ _Probable correct reading:_ +PANTA TOKADI+ +PANTO:N TO KADI+ _Probable correct reading:_ +PANTO:N TOKADI+ +SUMOIPL UKUSTEKAIPKROS+ _Probable correct reading:_ +SUMOI GLUKUS TE KAI PIKROS+ End of the Project Gutenberg EBook of Hypnerotomachia, by Francesco Colonna *** END OF THIS PROJECT GUTENBERG EBOOK HYPNEROTOMACHIA *** ***** This file should be named 18459.txt or 18459.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/4/5/18459/ Produced by Louise Hope, Robert Cicconetti and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States witho
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