easily confused
with Gamma, and an Upsilon that resembles Tau. The Arabic text could not
be transcribed.
+LICHA SOLIBIKOS LITHODOMOS O:RTHOSEN ME+
_The first Lambda is upside-down. Probable correct reading:_
+LICHAS HO LIBIKOS LITHODOMOS O:RTHO:SEN ME.+
+GUMNOS E:N. EI ME: AN THE:RI-
ON EMEKALUPSEN. ZE:TEI. HEU-
RE:SE:DE. EASON ME.+
_Probable correct reading:_
+GUMNOS E:N, EI ME: AN THE:RI-/ON EME KALUPSEN. ZE:TEI. HEU-
RE:SE: DE. EASON ME.+
NVDVSESSEM, BES-
TIA NIME TEXIS-
SET, QVAERE, ET
INVE NIES. MESI-
NITO.
_Reading with corrected spacing and punctuation:_
NVDVS ESSEM, BES-/TIA NI ME TEXIS-/SET. QVAERE, ET
INVENIES. ME SI-/NITO
+HOSTIS EI. ALBEEK TOU DE TOU
THE:SAUROU, OSNON ANA RESKOI.
PARAINO: DE HO:S LABE:IS TE:N
KEPHALE:N, ME: HAPTOU EO:MATOS.+
_Probable correct reading:_
+HOSTIS EI, LABE EK TOUDE TOU / THE:SAUROU, HOSON ANARESKOI.
PARAINO: DE HO:S LABE:IS TE:N / KEPHALE:N, ME: HAPTOU SO:MATOS.+
...QVANTVNCVN-
QUE LIBVERIT
HVIVS THESAVRI
SVME AD MONEO...
_Correct spacing: ADMONEO._
+THEOIS APHRODITIKAI TO: O: EROTI DIONISOS YKAI
DE: ME:TRA EK TO:N IDIO:N MYTRI
SUMPATHESTATE:+
_Probable correct reading:_
+THEOIS APHRODITE:I KAI TO:I HUIO:I ERO:TI DIONUSOS KAI
DE:ME:TRA EK TO:N IDIO:N ME:TRI / SUMPATHESTATE:
+AEI SPEU DE BRADEOS+
_Probable correct reading:_
+AEI SPEUDE BRADEO:S+
+PANTA TO KADI+
_Probable correct reading:_
+PANTA TOKADI+
+PANTO:N TO KADI+
_Probable correct reading:_
+PANTO:N TOKADI+
+SUMOIPL UKUSTEKAIPKROS+
_Probable correct reading:_
+SUMOI GLUKUS TE KAI PIKROS+
End of the Project Gutenberg EBook of Hypnerotomachia, by Francesco Colonna
*** END OF THIS PROJECT GUTENBERG EBOOK HYPNEROTOMACHIA ***
***** This file should be named 18459.txt or 18459.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/1/8/4/5/18459/
Produced by Louise Hope, Robert Cicconetti and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States witho
|