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erican poetry, has never before made itself so manifest there, never before declared itself with such vivacity and force, the process by which it emerged from emotion and clothed itself in speech being so undiscoverable by critical analysis that it seems, as Matthew Arnold said of some of Wordsworth's poetry, as if Nature took the pen from his hand and wrote in his stead." These poems are all short, and their titles (such as "What Shall It Profit?" "The Sphinx," "If," "To-morrow," "Good Society," "Equality," "Heredity," and so forth) sufficiently indicate that they do not rank among the lighter triflings with the muse. Their abiding sense of an awful and inevitable fate, their keen realisation of the startling contrasts between wealth and poverty, their symbolical grasp on the great realities of life and death, and the consummate skill of the artistic setting are all pervaded with something that recalls the paintings of Mr. G.F. Watts or the visions of Miss Olive Schreiner. One specimen can alone be given here: "The Bewildered Guest "I was not asked if I should like to come. I have not seen my host here since I came, Or had a word of welcome in his name. Some say that we shall never see him, and some That we shall see him elsewhere, and then know Why we were bid. How long I am to stay I have not the least notion. None, they say, Was ever told when he should come or go. But every now and then there bursts upon The song and mirth a lamentable noise, A sound of shrieks and sobs, that strikes our joys Dumb in our breasts; and then, someone is gone. They say we meet him. None knows where or when. We know we shall not meet him here again." Mr. Howells has, naturally enough, the defects of his qualities; and if it were my purpose here to present an exhaustive study of his writings, rather than merely to touch lightly upon his "American" characteristics, it would be desirable to consider some of these in this place. In his desire to avoid the merely pompous he sometimes falls into the really trifling. His love of analysis runs away with him at times; and parts of such books as "A World of Chance" must weary all but his most undiscriminating admirers. His self-restraint sometimes disappoints us of a vivid colour or a passionate throb which we feel to be our due. His humour and his satire occasionally pass from the fine to the thin. It is, however, with Mr.
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