anny, have
naturally grown with two centuries and a half of democracy; even the
municipal administration has not been wholly captured by the Irish
voter. The Bostonian has, to a very appreciable extent, solved the
problem of combining the virtues of democracy with the manners of
aristocracy; and I know not where you will find a better type of the
American than the Boston gentleman: patriotic with enlightened
patriotism; finely mannered even to the class immediately below his
own; energetic, but not a slave to the pursuit of wealth; liberal in
his religion, but with something of the Puritan conscience still lying
_perdu_ beneath his universalism; distributing his leisure between
art, literature, and outdoor occupations; a little cool in his initial
manner to strangers, but warmly hospitable when his confidence in your
merit is satisfied. We, in England, may well feel proud that the blood
which flows in the veins of the ideal Bostonian is as distinctly and
as truly English as that of our own Gladstones and Morleys, our
Brownings and our Tennysons.
Prof. Hugo Muensterberg, of Berlin, writes thus of Boston and Chicago:
"_Ja, Boston ist die Hauptstadt jenes jungen, liebenswerthen,
idealistischen Amerikas und wird es bleiben; Chicago dagegen ist die
Hochburg der alten protzigen amerikanischen Dollarsucht, und die
Weltausstellung schliesslich ist ueberhaupt nicht Amerika, sondern
chicagosirtes Europa._" Whatever may be thought of the first part of
this judgment, the second member of it seems to me rather unfair to
Chicago and emphatically so as regards the Chicago exhibition.
Since 1893 Chicago ought never to be mentioned as Porkopolis without a
simultaneous reference to the fact that it was also the creator of the
White City, with its Court of Honour, perhaps the most flawless and
fairy-like creation, on a large scale, of man's invention. We expected
that America would produce the largest, most costly, and most gorgeous
of all international exhibitions; but who expected that she would
produce anything so inexpressibly poetic, chaste, and restrained, such
an absolutely refined and soul-satisfying picture, as the Court of
Honour, with its lagoon and gondolas, its white marble steps and
balustrades, its varied yet harmonious buildings, its colonnaded vista
of the great lake, its impressive fountain, its fairy-like outlining
after dark by the gems of electricity, its spacious and well-modulated
proportions which made the larg
|