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The Project Gutenberg eBook, One of Life's Slaves, by Jonas Lauritz Idemil Lie, Translated by Jessie Muir This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: One of Life's Slaves Author: Jonas Lauritz Idemil Lie Translator: Jessie Muir Release Date: May 18, 2005 [eBook #15853] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK ONE OF LIFE'S SLAVES*** E-text prepared by Clare Boothby, Jim Wiborg, and the Project Gutenberg Online Distributed Proofreading Team ONE OF LIFE'S SLAVES by JONAS LIE Author of "The Visionary," etc. etc. Translated from the Norwegian by Jessie Muir London Hodder Brothers 13 New Bridge Street, D.C. Printed by Ballantyne, Hanson & Co., London & Edinburgh 1895 PREFACE In a review which appeared in the _Athenaeum_, of a translation of one of Jonas Lie's earlier works--"Den Fremsynte" ("The Visionary")--the reviewer expressed a hope that I would follow up that translation with "an English version of Lie's 'Livsslaven,' that intensely tragic and pathetic story of suffering and wrong." It is in accordance with this suggestion that the present volume makes its appearance. In taking Christiania life for the subject of "Livsslaven," Jonas Lie attempted for the second time to break down the preconceived opinion of critics, that such a subject did not come within his province. They were accustomed to have tales of sea-life from his pen, and could not readily be persuaded that another sphere of life might afford equal scope for his talent. "Thomas Ross," published in 1878, had treated of Christiania life, and had attracted but little attention; and now, in the spring of 1883, appeared this "story of a smith's apprentice, with his struggles for existence and his ultimate final failure owing to the irresistible indulgence of a passionate physical instinct." At first this too seemed to be a failure. To use the words of Arne Garborg, a Norwegian author and critic, Lie "had spoken--cried out in the passion or agony of his soul, and people stood there quite calm and as if they had heard nothing;" there seemed to be a total lack of sympathetic comprehension on the part of the public. In
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