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verbal stores. Shortly before his inauguration Lincoln remarked to a clergyman, who had asked him how he had acquired his remarkable power of "putting things": "I can say this, that among my earliest recollections I remember how, when a mere child, I used to get irritated when anybody talked to me in a way I could not understand. I don't think I ever got angry at anything else in my life. But that always disturbed my temper, and has ever since. I can remember going to my little bedroom, after hearing the neighbors talk of an evening with my father, and spending no small part of the night walking up and down, trying to make out what was the exact meaning of their, to me, dark sayings." In this first address we find no loose use of words. The character of the address does not of course admit of ornament or figurative language, but any subject, however simple, admits of digressions and mental excursions by the illogical and careless writer. Of these there is not a trace. Even in the most informal letters and telegrams, written at post haste and at times under the most extreme pressure of business and anxiety, Lincoln shows a natural feeling for the appropriate expression that is found only in the masters of language. Five years later, in 1837, the interval being represented by only a few unimportant letters, Lincoln entered upon a period distinguished by qualities that are not usually associated with his name, a tendency to fine writing that we should look for earlier than at the age of twenty-eight. The subject of the address is "The Perpetuation of our Political Institutions," and the complete text is given in this volume. Here for once Lincoln speaks of an Alexander, a Buonoparte, a Washington. The influence of Webster is apparent, in this first purely oratorical attempt of Lincoln's. It could hardly have been otherwise at a time when the great Whig orator was making the whole country ring with his wonderful speeches. It is almost certain, too, that Henry Clay, to whom Lincoln later referred as _beau ideal_ of an orator, had a part in moulding this early manner, though this is probably less apparent here than in the later soberer addresses. But it must not be supposed that this speech consists merely of what Hamlet would call "words, words, words." Neither are all the figures inferior and commonplace. Although it is more ornate than anything in the later period, the following description of the passin
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