t, who had received
a revelation from an angel concerning the destiny of Mary, informed
her thereof, and she with all humility submitted herself to the divine
will. This scene between Mary and the high-priest has been painted by
Luini, and it is the only example with which I am acquainted.
Pictures of the Virgin in her girlhood, reading intently the Book of
Wisdom, while angels watch over her, are often of great beauty.
THE MARRIAGE OF THE VIRGIN
_Ital._ Il Sposalizio. _Fr._ Le Mariage de la Vierge. _Ger._ Die
Trauung Mariae. Jan. 23.
This, as an artistic subject, is of great consequence, from the beauty
and celebrity of some of the representations, which, however, are
unintelligible without the accompanying legends. And it is worth
remarking, that while the incident is avoided in early Greek art,
it became very popular with the Italian and German painters from the
fourteenth century.
In the East, the prevalence of the monastic spirit, from the fourth
century, had brought marriage into disrepute; by many of the ascetic
writers of the West it was considered almost in the light of a
necessary evil. This idea, that the primal and most sacred ordinance
of God and nature was incompatible with the sanctity and purity
acceptable to God, was the origin of the singular legends of the
Marriage of the Virgin. One sees very clearly that, if possible, it
would have been denied that Mary had ever been married at all; but,
as the testimony of the Gospel was too direct and absolute to be
set aside, it became necessary, in the narrative, to give to this
distasteful marriage the most recondite motives, and in art, to
surround it with the most poetical and even miraculous accessories.
But before we enter on the treatment of the subject, it is necessary
to say a few words on the character of Joseph, wonderfully selected to
be the husband and guardian of the consecrated mother of Christ, and
foster-father of the Redeemer; and so often introduced into all the
pictures which refer to the childhood of our Lord.
From the Gospels we learn nothing of him but that he was of the tribe
of Judah and the lineage of David; that he was a _just_ man; that he
followed the trade of a carpenter, and dwelt in the little city of
Nazareth. We infer from his conduct towards Mary, that he was a mild,
and tender, and pure-hearted, as well as an upright man. Of his age
and personal appearance nothing is said. These are the points on which
t
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