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ur drachms, while Greece had hardly seen a piece of gold larger than the single stater. In Alexandrian accounts also the unit of money was the silver didrachm, and thus double that in use among the merchants of Greece. [Illustration: 142.jpg COIN WITH THE HEADS OF SOTER, PHILADELPHUS AND BERENICE] Among the coins is one with the heads of Soter and Philadelphus on the one side, and the head of Berenice, the wife of the one and mother of the other, on the other side. This we may suppose to have been struck during the first two years of his reign, in the lifetime of his father. Another bears on one side the heads of Ptolemy Soter and Berenice, with the title of "the gods," and on the other side the heads of Philadelphus and his wife Arsinoe, with the title of "the brothers." This was struck after the death of his parents. A third was struck by the king in honour of his queen and sister. On the one side is the head of the queen, and on the other is the name of "Arsinoe, the brother-loving," with the cornucopia, or horn of Amalthea, an emblem borrowed by the queens of Egypt from the goddess Amalthea, the wife of the Libyan Anion. This was struck after his second marriage. On the death of Arsinoe, Philadelphus built a tomb for her in Alexandria, called the Arsinoeum, and set up in it an obelisk eighty cubits high, which had been made by King Nectanebo, but had been left plain, without carving. [Illustration: 143.jpg COIN OF ARSINOE, SISTER OF PTOLEMY II.] Satyrus, the architect, had the charge of moving it. He dug a canal to it as it lay upon the ground, and moved two heavily laden barges under it. The burdens were then taken out of the barges, and as they floated higher they raised the obelisk off the ground. He then found it a task as great or greater to set it up in its place; and this Greek engineer must surely have looked back with wonder on the labour and knowledge of mechanics which must have been used in setting up the obelisks, colossal statues, and pyramids, which he saw scattered over the country. This obelisk now ornaments the cathedral of the Popes on the Vatican hill at Rome. Satyrus wrote a treatise on precious stones, and he also carved on them with great skill; but his works are known only in the following lines, which were written by Diodorus on his portrait of Arsinoe cut in crystal: E'en Zeuxis had been proud to trace The lines within this pebble seen; Satyrus here hath carved
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