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sugared words--who carries in his hand a bouquet of flowers, and in his face the complacent smile, addressing you in words which feed the craving of vanity, and yet withal _seem_ words of sincere friendship and sound judgment? Where is the man who has the moral courage, the self-abnegation to throw back honied encomiums which come with _apparent_ reality, although from a flatterer? "To tell a man that he cannot be flattered is to flatter him most effectually." "Honey'd assent, How pleasant art thou to the taste of man, And woman also! flattery direct Rarely disgusts. They little know mankind Who doubt its operation: 'tis my key, And opes the wicket of the human heart." "The firmest purpose of a human heart To well-tim'd artful flattery may yield." "'Tis an old maxim in the schools That flattery's the food of fools; Yet now and then your men of wit Will condescend to take a bit." The Flatterer is a lurking foe, a dangerous friend, a subtle destroyer. "A flattering mouth worketh ruin." "He that speaketh flattery to his friends, even the eyes of his children shall fail." "A man that flattereth his neighbour spreadeth a net for his feet." The melancholy results of flattery are patent before the world, both on the page of history and in the experience of mankind. How many thousand young men who once stood in the uprightness of virtue are now debased and ruined through the flattery of the "strange woman," so graphically described by Solomon in Prov. vii., "With her much fair speech she caused him to yield, with the flattering of her lips she forced him. He goeth after her straightway, as an ox goeth to the slaughter, or as a fool to the correction of the stocks; till a dart strike through his liver; as a bird hasteth to the snare, and knoweth not that it is for his life" (vers. 21-23). "She hath cast down many wounded: yea, many strong men have been slain by her. Her house is the way to hell, going down to the chambers of death" (vers. 26, 27). And as the virtuous young man is thus led into ruin by the flattering tongue of the strange woman; so the virtuous young female is sometimes led into ruin by the flattering tongue of the lurking enemy of beauty and innocence. I cannot give a more striking and pathetic illustration of this than the one portrayed by the incomparable hand of Pollok:-- "Take one example, one of female woe. Loved by her father, and a moth
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