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other times--which he calls the golden days of the bibliomania--when he reflects upon his lusty efforts in securing an _Exemplar Steevensianum_! [Footnote 409: If Lysander's efforts begin to relax--what must be the debilitated mental state of the poor annotator, who has accompanied the book-orator thus long and thus laboriously? Can STEEVENS receive justice at _my_ hands--when my friends, aided by hot madeira, and beauty's animating glances, acknowledge their exhausted state of intellect?! However, I will make an effort: 'nothing extenuate Nor set down aught in malice.' The respectable compiler of the _Gentleman's Magazine_, vol. lxx. p. 178, has given us some amusing particulars of Steevens's literary life: of his coming from Hampstead to London, at the chill break of day, when the overhanging clouds were yet charged with the 'inky' purple of night--in order, like a true book-chevalier, to embrace the first dank impression, or proof sheet, of his own famous octavo edition of _Shakspeare_; and of Mr. Bulmer's sumptuous impression of the text of the same. All this is well enough, and savours of the proper spirit of BIBLIOMANIACISM: and the edition of our immortal bard, in fifteen well printed octavo volumes, (1793) is a splendid and durable monument of the researches of George Steevens. There were from 20 to 25 copies of the octavo edition printed upon LARGE PAPER; and Lord Spencer possesses, by bequest, Mr. Steevens' own copy of the same, illustrated with a great number of rare and precious prints; to which, however, his Lordship, with his usual zeal and taste, has made additions more valuable even than the gift in its original form. The 8vo. edition of 1793 is covetted with an eagerness of which it is not very easy to account for the cause; since the subsequent one of 1803, in 21 octavo volumes, is more useful on many accounts: and contains Steevens's corrections and additions in every play, as well as 177, in particular, in that of Macbeth. But I am well aware of the stubbornness and petulancy with which the previous edition is contended for in point of superiority, both round a private and public table; and, leaving the collector to revel in the luxury of an uncut, half-bound, morocco copy of the same
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