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work for architectural students.... Mr. Spiers has done excellent service in editing this work, and his notes on the plates are very appropriate and useful."--_British Architect._ RENAISSANCE ARCHITECTURE AND ORNAMENT IN SPAIN.--A Series of Examples selected from the purest executed between the years 1500-1560. By ANDREW N. PRENTICE, A.R.I.B.A. Containing 60 beautiful Plates, reproduced by Photo-lithography and Photo Process from the author's drawings, of Perspective Views and Geometrical Drawings, and details, in Stone, Wood, and Metal. With short descriptive text. Folio, handsomely bound in cloth gilt, price L2 10_s._, net L2 2_s._ "For the drawing and production of this book one can have no words but praise.... It is a pleasure to have so good a record of such admirable Architectural Drawing, free, firm and delicate."--_British Architect._ B. T. BATSFORD, 94, HIGH HOLBORN, LONDON. * * * * * Transcriber's Note: The following printer's errors have been corrected in the text: page xxi: Part of a fan "f" of "fan" not printed in original page 62: The feathery stem (A) on the sampler "the" missing in original page 70: except that it has something of the appearance "of" missing in original page 223: in no case does it appear to be stitching "t" of "it" not printed in original page 225: forms of needlework "froms" printed for "forms" in original End of Project Gutenberg's Art in Needlework, by Lewis F. Day and Mary Buckle *** END OF THIS PROJECT GUTENBERG EBOOK ART IN NEEDLEWORK *** ***** This file should be named 28269.txt or 28269.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/2/6/28269/ Produced by Constanze Hofmann and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, ap
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