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ecame his wife.--Hearing that Sonzogno offered a prize for the best opera, he procured himself a libretto, and composed the Cavalleria Rusticana in little more than a week, and--gained the prize. Henceforward all of course were anxious to {40} hear the music of the unknown artist, and lo--the opera was an immense success. It cannot be called a masterpiece, yet it is certainly the offspring of genius, as fresh and as absolutely original, as it is highly dramatic. The text, though retaining little of the exquisite beauty of the original drama, which ought to be read before hearing its fragments in the opera, assists the music a good deal. The wave of human passion sweeps over it, passion as it occurs in daily life, for the composition belongs to the realistic style, as far as it is based on truth and reality alone. The true local color makes it doubly attractive. The following are the very simple facts of the story, which takes place in a Sicilian village. Turridu, a young peasant has loved and wooed Lola before entering military service. At his return he finds the flighty damsel married to the wealthy carrier Alfio, who glories in his pretty wife and treats her very well.--Turridu tries to console himself with another young peasant-girl, Santuzza, who loves him ardently, and to whom he has promised marriage. The opera only begins at this point. Lola, the coquette however cannot bear to know, that her former sweet-heart should love another woman. She flirts with him, and before the curtain has been raised after the overture, Turridu's love-song is heard for Lola, who grants him a rendez-vous in her own house. This excites Santuzza's wildest jealousy. She {41} complains to Turridu's mother, who vainly tries to soothe her. Then she has a last interview with Turridu, who is just entering the church. She reproaches him first with his treachery, then implores him, not to forsake her and leave her dishonored. But Turridu remains deaf to all entreaty, and flings her from him. At last, half mad through her lover's stubbornness Santuzza betrays him and Lola to Alfio, warning the latter, that his wife has proved false.--After church Alfio and Turridu meet in mother Lucia's tavern.--Alfio refusing to drink of Turridu's wine, the latter divines that the husband knows all. The men and women leave while the two adversaries after Sicilian custom embrace each-other, Alfio biting Turridu in the ear, which ind
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