rom its curse by Bruennhilde's death.
Hagen, trying to wrench it from them, is drawn into the waves and so
dies.
A dusky light, like that of a new dawn spreads over heaven, and through
a mist, Walhalla, with all the Gods sleeping peacefully, may be
perceived.
EURYANTHE.
Grand romantic Opera by C. M. VON WEBER.
Text by HELMINA VON CHEZY.
This opera has not had the success of Oberon or Freischuetz, a fact to
be attributed to the weakness of its libretto, and not to its music,
which is so grand and noble, that it cannot but fill the hearer with
admiration and pleasure.
The overture is one of the finest pieces ever written, and the choruses
and solos are equally worthy of admiration.
The plot is as follows:
Adolar, Count of Nevers and Rethel, is betrothed to Euryanthe of Savoy,
and the wedding is to take place, when one day, in the King's presence
Lysiart, Count of Forest and Beaujolais, suggests that all women are
accessible to seduction. He provokes Adolar so much, that he succeeds
{73} in making him stake his lands and everything he possesses on his
bride's fidelity. Lysiart on the other hand promises to bring a token
of Euryanthe's favor.
In the following scene we find Euryanthe in the company of Eglantine de
Puiset. This lady is a prisoner, who has taken refuge in the castle of
Nevers, and has ingratiated herself so much with Euryanthe, that the
latter tenderly befriends the false woman. Asking Euryanthe, why she
always chooses for her recreation the dreary spot of the park, where
Adolar's sister Emma lies buried, she is told by her in confidence,
that she prays for Emma, who poisoned herself after her lover's death
in battle. Her soul could find no rest, until the ring, which
contained the venom should be wet with the tears of a faithful and
innocent maid, shed in her extreme need. No sooner has Euryanthe
betrayed her bridegroom's secret that she repents doing so, foreboding
ill to come. Lysiart enters to escort her to the marriage festival,
but he vainly tries to ensnare her innocence, when Eglantine comes to
his rescue. She loves Adolar, and her passion not being returned, she
has sworn vengeance. Stealing the fatal ring from the sepulchre, she
gives it to Lysiart as a token of Euryanthe's faithlessness, and
Lysiart, after having brought Euryanthe to Adolar, shows the ring in
presence of the whole court, pretending to have received it from
Euryanthe. The poor maiden denies i
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