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e heart of Rocco, the jailer, but that of his daughter Marcelline, who falls in love with the gentle youth and neglects her former lover Jaquino. Fidelio persuades Rocco to let her help him in his office with the prisoners. Quivering with mingled hope and fear she opens the prison gates, to let the state prisoners out into the court, where they may for once have air and sunshine. But seek as she may, she cannot find her husband and in silent despair she deems herself baffled. Meanwhile Pizarro has received a letter from Sevilla, announcing the Minister's forthcoming visit to the fortress. Pizarro, frightened at the consequences of such a call, resolves to silence Florestan for ever. He orders the jailer to kill him, but the old man will not burden his soul with a murder and refuses firmly. Then Pizarro himself determines to kill Florestan, and summons Rocco to dig a grave in the dungeon, in order to hide all traces of the crime. Rocco, already looking upon the gentle and diligent Fidelio as his future son-in-law, confides to him his dreadful secret, and with fearful forebodings she entreats him to accept her help in the heavy work. Pizarro gives his permission, Rocco being too old and feeble to do the work quickly enough if alone; Pizarro has been rendered furious by the {80} indulgence granted to the prisoners at Fidelio's entreaty, but a feeling of triumph overcomes every other, when he sees Rocco depart for the dungeon with his assistant. Here we find poor Florestan chained to a stone; he is wasted to a skeleton as his food has been reduced in quantity week by week by the cruel orders of his tormentor. He is gradually losing his reason; he has visions and in each one beholds his beloved wife. When Leonore recognizes him, she well-nigh faints, but with a supernatural effort of strength she rallies, and begins her work. She has a piece of bread with her, which she gives to the prisoner and with it the remainder of Rocco's wine. Rocco, mild at heart, pities his victim sincerely, but he dares not act against the orders of his superior, fearing to lose his position, or even his life. While Leonore refreshes the sick man, Rocco gives a sign to Pizarro, that the work is done, and bids Fidelio leave; but she only hides herself behind a stone-pillar, waiting with deadly fear for the coming event and decided to save her husband or to die with him. Pizarro enters, secretly resolved to kill not only his f
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