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leasing kind. The music is really charming, both fresh and original. The libretto is equally happy. It particularly inspired Mozart because given him by the Emperor Joseph II at a time, when he (Mozart), a happy bridegroom, was about to conduct into his home his beloved Constanze. The contents are as follows: Constanza, the betrothed bride of Belmonte is with her maid Bionda (Blondchen) and Pedrillo, Belmonte's servant, captured by pirates. All three are sold as slaves to Selim Pasha, who keeps the ladies in his harem, taking Constanza for himself {306} and giving Bionda to his overseer Osmin. Pedrillo has found means to inform his master of their misfortune, and Belmonte comes seeking entrance to the Pasha's villa in the guise of an artist. Osmin, who is much in love with Bionda, though she treats him haughtily, distrusts the artist and tries to interfere. But Pedrillo, who is gardener in the Pasha's service, frustrates Osmin's purpose and Belmonte is engaged. The worthy Pasha is quite infatuated with Constanza and tries hard to gain her affections. But Constanza has sworn to be faithful till death to Belmonte and great is her rapture, when Bionda brings the news that her lover is near. With the help of Pedrillo, who manages to intoxicate Osmin, they try to escape, but Osmin overtakes them and brings them back to the Pasha, who at once orders that they be brought before him.--Constanza, advancing with noble courage, explains that the pretended artist is her lover, and that she will rather die with him than leave him. Selim Pasha, overwhelmed by this discovery, retires to think about what he shall do and his prisoners prepare for death, Belmonte and Constanza with renewed tender protestations of love, Pedrillo and Bionda without either fear or trembling. Great is their happiness and Osmin's wrath, when the noble Pasha, touched by their constancy, sets them free, and asks for their friendship, bidding them remember him kindly after their return into their own country. {307} SIEGFRIED. Second day of the Nibelungen Ring by WAGNER. Musical Drama in three acts. The first act represents a part of the forest, where Fafner guards the Rhinegold and where Sieglinda has found refuge. We find her son Siegfried,--to whom when she was dying, she gave birth--in the rocky cave of Mime the Nibelung, (brother of Alberich), who has brought up the child as his own, knowing that he is destined to slay Fafner
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