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c are very effective, full of action, fascinating the hearer and heightening his interest from act to act. In the second act, especially in the dialogues between Luise and Hans Kraft, are sufficient proofs of Siegfried's genius, and the conclusion is truly grand. The scene is laid in Bavaria, in the country around Bayreuth, during the time of the Thirty Years war. The first act takes place in a village in the Hummelgau. The soldiers are first returning after a long period of war to their native village, and are received enthusiastically by the inhabitants. Hans Kraft, the hero of the drama, looks in vain for his old mother and at last learns that sorrow and anxiety about her absent son have caused her death three years ago; she is already forgotten, and so is her son, who find himself alone and forsaken. He is rudely repulsed by the peasants who will not even give him a night's lodging in their cottages. Full of wrath and despair he turns into the forest where he is accosted by a wild looking being who laughs at his impotent rage and offers his help. Hans, perceiving the cloven hoof and the horns, at once recognizes the Devil in this queer fellow, and is at first unwilling to follow his advice; but the Devil is artful and insinuating, and at last Hans is induced to make an agreement with him by which he engages himself as Stoker {391} in the infernal regions; he has to keep the fire burning under the caldron in which poor lost souls are being roasted. When he has served the devil for one year Hans will be free to go wherever he likes. In the next scene Hans has already arrived at his new quarters--hell--and, after having explained to Hans his new duties, the Devil leaves him. Hans now begins to stir the fire, but is soon arrested by a wailing voice which he recognizes as that of the old sergeant who so often tormented him on earth, and who now vainly entreats him to let him escape. While Hans is gaily feeding the flames, a Stranger enters; his name is Peter the doorkeeper, (of course St. Peter,) who skilfully entices him to play at dice. He proposes that Hans should stake some years of his own life. Hans refuses to do so. The Stranger next proposes that Hans should stake the salvation of his soul, but without success. At last it is agreed that Hans shall win ten Florins if he throws the highest cast, and the Stranger shall win two souls out of the caldron if he wins. They play, and Hans loses time aft
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