FREE BOOKS

Author's List




PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  
tion, filling up a space in the crowded tableaux, always in the background--were then at last brought to the fore in the course of these Readings, and suddenly and for the first time assumed to themselves a distinct importance and individuality. Take, for instance, the nameless lodging-housekeeper's slavey, who assists at Bob Sawyer's party, and who is described in the original work as "a dirty, slipshod girl, in black cotton stockings, who might have passed for the neglected daughter of a superannuated dustman in very reduced circumstances." No one had ever realised the crass stupidity of that remarkable young person--dense and impenetrable as a London fog--until her first introduction in these Readings, with "Please, Mister Sawyer, Missis Raddle wants to speak to _you!_"--the dull, dead-level of her voice ending in the last monosyllable with a series of inflections almost amounting to a chromatic passage. Mr. Justice Stareleigh, again!--nobody had ever conceived the world of humorous suggestiveness underlying all the words put into his mouth until the author's utterance of them came to the readers of Pickwick with the surprise of a revelation. Jack Hopkins in like manner--nobody, one might say, had ever dreamt of as he was in Dickens's inimitably droll impersonation of him, until the lights and shades of the finished picture were first of all brought out by the Reading. Jack Hopkins!--with the short, sharp, quick articulation, rather stiff in the neck, with a dryly comic look just under the eyelids, with a scarcely expressible relish of his own for every detail of that wonderful story of his about the "neckluss," an absolute and implicit reliance upon Mr. Pickwick's gullibility, and an inborn and ineradicable passion for chorusing. As with the characters, so with the descriptions. One was life itself, the other was not simply word-painting, but realisation. There was the Great Storm at Yarmouth, for example, at the close of David Copperfield. Listening to that Reading, the very portents of the coming tempest came before us!--the flying clouds in wild and murky confusion, the moon apparently plunging headlong among them, "as if, in a dread disturbance of the laws of nature, she had lost her way and were frightened," the wind rising "with an extraordinary great sound," the sweeping gusts of rain coming before it "like showers of steel," and at last, down upon the shore and by the surf among the turmoil of the blinding w
PREV.   NEXT  
|<   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46  
47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   >>   >|  



Top keywords:
Pickwick
 

Sawyer

 

coming

 

brought

 

Reading

 

Readings

 
Hopkins
 

characters

 

wonderful

 

detail


descriptions

 

chorusing

 

passion

 

ineradicable

 
gullibility
 

reliance

 

implicit

 

turmoil

 

inborn

 

absolute


neckluss
 

eyelids

 

articulation

 
finished
 
picture
 

scarcely

 

expressible

 

relish

 

blinding

 

disturbance


headlong

 

plunging

 

confusion

 

apparently

 

nature

 

sweeping

 

extraordinary

 
rising
 

frightened

 

clouds


flying

 

painting

 
realisation
 
simply
 

Listening

 

Copperfield

 
portents
 

tempest

 
Yarmouth
 

shades