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onfusion in the carefully prepared plans for one of the London series, again, had been caused by an unexpected difficulty, at the last moment, in securing the great Hall in Piccadilly, that having been previously engaged on the required evenings for a series of musical entertainments. Hence the selection for that season of the Hanover Square Rooms, which, at any rate for the West-end public, could not but be preferable to that earliest scene of the London Readings, St. Martin's Hall, Long Acre. Apart from every other consideration, however, the Novelist's remembrance of the confusions and disarrangements which had been incidental to his last provincial tour, and to the last series of his London Readings, rather disinclined him to hasten the date of his re-appearance in his character as a public Reader. As it happened, besides, after the summer of 1863, nearly two years elapsed, between the May of 1864 and the November of 1865, during which he was in a manner precluded from seriously entertaining any such project by the circumstance that the green numbers of "Our Mutual Friend" were, all that while, in course of publication. Even when that last of his longer serial stories had been completed, it is doubtful whether he would have cared to take upon himself anew the irksome stress and responsibility inseparable from one of those doubly laborious undertakings--a lengthened series of Readings in London, coupled with, or rather interwoven with, another extended tour through the provinces. As it fortunately happened, however, very soon after the completion of "Our Mutual Friend," Charles Dickens had held out to him a double inducement to undertake once more the duties devolving upon him in his capacity as a Reader. The toil inseparable from the Readings themselves, as well as the fatigue resulting inevitably from so much rapid travelling hither and thither by railway during the period set apart for their delivery, would still be his. But at the least, according to the proposition now made to him, the Reader would be relieved from further care as to the general supervision, and at any rate, from all sense of responsibility in the revived project as a purely financial or speculative undertaking. The Messrs. Chappell, of New Bond Street, a firm skilled in the organizing of public entertainments of various kinds, chiefly if not exclusively until then, entertainments of a musical character, offered, in fact, in 1866 to assume to t
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