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ted presents within the same compass so many difficulties to the audience who are listening, and to the Reader who is hardy enough to adventure upon its delivery. The closing incidents of the narrative are in themselves so improbable, we had all but said so impossible! Polly, at once so quaint and so captivating, when her words are perused upon the printed page, is so incapable of having her baby-prattle repeated by anybody else, without the imminent risk, the all but certainty, of its degenerating into mere childishness. It can scarcely be wondered, therefore, that "Barbox Brothers," though it actually was Read, and Read successfully, was hardly ever repeated. Everybody who has once looked into the story will bear in mind how, quite abruptly, almost haphazard, it comes to be narrated. The lumbering, middle-aged, grey-headed hero of it, in obedience to the whim of a moment, gets out of a night train at the great central junction of the whole railway system of England. A drenching rain-storm and a windy platform, darkness and solitude are, to begin with, the agreeable surroundings of this eccentric traveller. He is stranded there, not high and dry, anything but that--on the contrary, soaked through and through, and at very low level indeed--during what the local officials regard as their deadest time in all the twenty-four hours: what one of them, later on, terms emphatically their deadest and buriedest time. Already, even here, before the tale itself is in any way begun, the Author of it, in his capacity as Reader, somehow, by the mere manner of his delivery of a descriptive sentence or two, contrived to realise to his hearers in a wonderfully vivid way the strange incidents of the traffic in a scene like this, at those blackest intervals between midnight and daybreak. Now revealing--"Mysterious goods trains, covered with palls, and gliding on like vast weird funerals, conveying themselves guiltily away, as if their freight had come to a secret and unlawful end." Now, again--"Half miles of coal pursuing in a Detective manner, following when they led, stopping when they stopped, backing when they backed." One while the spectacle, conjured up by a word or two was that of--"Unknown languages in the air, conspiring in red, green, and white characters." Another, with startling effect, it was--"An earthquake, with thunder and lightning, going up express to London." Here it is that Barbox Brothers, in the midst of these gho
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