or the muster
of the crew--to the moment when he left us in the open sea, shrouded in
sailcloth, through the open port, I had much to do with him. He was in
my watch. A negro in a British forecastle is a lonely being. He has no
chums. Yet James Wait, afraid of death and making her his accomplice,
was an impostor of some character--mastering our compassion, scornful of
our sentimentalism, triumphing over our suspicions.

But in the book he is nothing; he is merely the centre of the ship's
collective psychology and the pivot of the action. Yet he, who in the
family circle and amongst my friends is familiarly referred to as the
Nigger, remains very precious to me. For the book written round him is
not the sort of thing that can be attempted more than once in a
life-time. It is the book by which, not as a novelist perhaps, but as an
artist striving for the utmost sincerity of expression, I am willing to
stand or fall. Its pages are the tribute of my unalterable and profound
affection for the ships, the seamen, the winds and the great sea--the
moulders of my youth, the companions of the best years of my life.

After writing the last words of that book, in the revulsion of feeling
before the accomplished task, I understood that I had done with the sea,
and that henceforth I had to be a writer. And almost without laying down
the pen I wrote a preface, trying to express the spirit in which I was
entering on the task of my new life. That preface on advice (which I now
think was wrong) was never published with the book. But the late W. E.
Henley, who had the courage at that time (1897) to serialize my "Nigger"
in the _New Review_ judged it worthy to be printed as an afterword at
the end of the last instalment of the tale.

I am glad that this book which means so much to me is coming out again,
under its proper title of "The Nigger of the _Narcissus_" and under the
auspices of my good friends and publishers Messrs. Doubleday, Page & Co.
into the light of publicity.

Half the span of a generation has passed since W. E. Henley, after
reading two chapters, sent me a verbal message: "Tell Conrad that if
the rest is up to the sample it shall certainly come out in the _New
Review_." The most gratifying recollection of my writer's life!

And here is the Suppressed Preface.

JOSEPH CONRAD.

1914.

PREFACE

A work that aspires, however humbly, to the condition of art should
carry its justification in every line. And